Empty cultural places, drastically reduced mobility and tourism blockade as an effect of COVID-19 confinement measures not only generate an evident economic damage to cultural institutions, companies and workers but also create a strong economic and social discomfort at city level. Although many EU member states are now entering into a de-confinement phase, many cultural places remain closed or subject to stringent physical-distancing measures. In these new circumstances, one main condition for the sustainability of most cultural and creative sectors (CCS) has been almost entirely disrupted: the possibility to have a public ‘live’ as a source of revenues to meet operating costs, putting more than seven million jobs at risk in Europe. Using ...
Godinu 2020. obilježila je pandemija bolesti COVID-19 i uzrokovala krizu koja je zahvatila sve grane...
Godinu 2020. obilježila je pandemija bolesti COVID-19 i uzrokovala krizu koja je zahvatila sve grane...
In recent decades, mass cultural tourism has imposed itself on European historic centres’ various ec...
Abstract: Creative sectors are vital in their own right in terms of their economic footmark and empl...
During recent decades, tourism has become one of the most dynamic and fastest growing economic secto...
The article presents and discusses the visible effects of the Covid-19 pandemic on cultural tourism ...
Today Cultural Creative Industries are at the core of the European identity, recognised as an indisp...
The pandemic that has affected the whole world since March 2020 is shaking up our ways of living, wo...
The COVID-19 pandemic has had both financial and activity-related effects on a number of areas of ac...
Culture is nowadays seen by policy makers as a major asset in achieving policy objectives beyond eco...
Society turns to the arts for comfort, escape, healing, entertainment and intellectual challenge. By...
The pandemic that has affected the whole world since March 2020 is shaking up our ways of living, wo...
Although the definitive effect is not measurable yet, it is evident that the hospitality and touris...
Society turns to the arts for comfort, escape, healing, entertainment and intellectual challenge. By...
Godinu 2020. obilježila je pandemija bolesti COVID-19 i uzrokovala krizu koja je zahvatila sve grane...
Godinu 2020. obilježila je pandemija bolesti COVID-19 i uzrokovala krizu koja je zahvatila sve grane...
Godinu 2020. obilježila je pandemija bolesti COVID-19 i uzrokovala krizu koja je zahvatila sve grane...
In recent decades, mass cultural tourism has imposed itself on European historic centres’ various ec...
Abstract: Creative sectors are vital in their own right in terms of their economic footmark and empl...
During recent decades, tourism has become one of the most dynamic and fastest growing economic secto...
The article presents and discusses the visible effects of the Covid-19 pandemic on cultural tourism ...
Today Cultural Creative Industries are at the core of the European identity, recognised as an indisp...
The pandemic that has affected the whole world since March 2020 is shaking up our ways of living, wo...
The COVID-19 pandemic has had both financial and activity-related effects on a number of areas of ac...
Culture is nowadays seen by policy makers as a major asset in achieving policy objectives beyond eco...
Society turns to the arts for comfort, escape, healing, entertainment and intellectual challenge. By...
The pandemic that has affected the whole world since March 2020 is shaking up our ways of living, wo...
Although the definitive effect is not measurable yet, it is evident that the hospitality and touris...
Society turns to the arts for comfort, escape, healing, entertainment and intellectual challenge. By...
Godinu 2020. obilježila je pandemija bolesti COVID-19 i uzrokovala krizu koja je zahvatila sve grane...
Godinu 2020. obilježila je pandemija bolesti COVID-19 i uzrokovala krizu koja je zahvatila sve grane...
Godinu 2020. obilježila je pandemija bolesti COVID-19 i uzrokovala krizu koja je zahvatila sve grane...
In recent decades, mass cultural tourism has imposed itself on European historic centres’ various ec...