Tyt. z nagłówka.Bibliogr. s. 253-254.Colored layers on surfaces of objects associated with archaeological and historical context may be of various origins: natural or intentional and in numerous cases their exact identification is not obvious, especially for thousand-year-old objects. Yet, the diagnosing of their nature may constitute an important element for the interpretation of ancient cultures. Examples of red color layers of natural, intentional and unclear origin were chosen and observed to select criteria defining layers of uncertain parentage.Dostępny również w formie drukowanej.KEYWORDS: archaeology, red layers, paintings, weathering crusts
Summarization: An assemblage of approximately 500 colouring materials and objects related to their u...
International audiencePost-glacial schematic rock paintings extend across the Iberian Peninsula to t...
International audienceDiscovering sources of colorants in different natural environments and managin...
Colored layers on surfaces of objects associated with archaeological and historical context may be o...
Samples containing red pigment have been collected from two different archaeological sites dating to...
Historical painted works of art have a very complex inner structure. The period painting technique l...
It has been confirmed that the disordered hematite occurring in prehistorical red colouring material...
During the last years of research carried out on the basis of a financial support by MIUR, many samp...
This study concerns those crystallographic and microstructural features that can provide indications...
mail janv/fevInternational audienceAlthough the main prehistoric color used for paintings is red, kn...
Description:Colour shapes our world in profound, if sometimes subtle, ways. It helps us to classify,...
We examined some paint layers from roman wall paintings colored with red and purple haematite. Study...
NoThe adoption of mineral pigments for artistic expression can be traced back to the paintings of th...
Abstract : Despite an increasing number of studies, colouring materials are still poorly understood...
The colors of archaeomaterials provide important insights into ancient human activities, technologie...
Summarization: An assemblage of approximately 500 colouring materials and objects related to their u...
International audiencePost-glacial schematic rock paintings extend across the Iberian Peninsula to t...
International audienceDiscovering sources of colorants in different natural environments and managin...
Colored layers on surfaces of objects associated with archaeological and historical context may be o...
Samples containing red pigment have been collected from two different archaeological sites dating to...
Historical painted works of art have a very complex inner structure. The period painting technique l...
It has been confirmed that the disordered hematite occurring in prehistorical red colouring material...
During the last years of research carried out on the basis of a financial support by MIUR, many samp...
This study concerns those crystallographic and microstructural features that can provide indications...
mail janv/fevInternational audienceAlthough the main prehistoric color used for paintings is red, kn...
Description:Colour shapes our world in profound, if sometimes subtle, ways. It helps us to classify,...
We examined some paint layers from roman wall paintings colored with red and purple haematite. Study...
NoThe adoption of mineral pigments for artistic expression can be traced back to the paintings of th...
Abstract : Despite an increasing number of studies, colouring materials are still poorly understood...
The colors of archaeomaterials provide important insights into ancient human activities, technologie...
Summarization: An assemblage of approximately 500 colouring materials and objects related to their u...
International audiencePost-glacial schematic rock paintings extend across the Iberian Peninsula to t...
International audienceDiscovering sources of colorants in different natural environments and managin...