It has always been for me a personal source of regret that so much dramatic art is wasted, so to speak, on the unknowing times . The performances of many actors and actresses have often been of greater creative value and artistic invention than the efforts of the playwrights themselves. Yet the annals of history preserve, for all time, the written word, while the sound and emotion of great acting is lost with its moment. Only the scant impressions of the casual playgoer survive to bring back a faded view of what glory the stage must have known when great talents graced its boards
This dissertation argues that between the 1790s and 1870s female performers and their publics transf...
Abstract SHE: PERFORMING BIOGRAPHY AS DRAMATIC NARRATIVE By Ashley Love, Master of Fine Arts at Virg...
'Tis Pity She's a Whore. An Elizabethan revenge tragedy by John Ford, was produced and directed by K...
Creatures. Women. Actresses. We are here because of women like Mary Betterton, Doll Common, Nell Gwy...
Actress studies has become “a truly interdisciplinary field” that “intersect[s] with art, music, lit...
Spectator Narratives: Print Representations of Performance and Nineteenth-Century Audiences examines...
This thesis is a study of the actresses on the eighteenth¬century stage. It concentrates on the mid-...
Includes bibliographical references (pages #-#)This abstract summarizes the written portion of an\ud...
In this paper I examine the issues of gender in the performances of Hamlet by Sarah Bernhardt and E...
This paper analyzes the review that the American actress in London, Elizabeth Robins, published in 1...
The conflation of the actress and the whore is as old as time, and, perhaps unsurprisingly, continue...
I presented my senior project on Wednesday, February 22, 2006, at 5:00p.m. and again at 7:30p.m. It ...
The Restoration and early eighteenth-century theaters of London formed an important mixed-gender rhe...
The purpose of this thesis is to analyse the dramatic results of introducing women to replace boy-ac...
In 1982, Richard C. Frushell urged the necessity for a critical study of Susanna Centlivre's plays. ...
This dissertation argues that between the 1790s and 1870s female performers and their publics transf...
Abstract SHE: PERFORMING BIOGRAPHY AS DRAMATIC NARRATIVE By Ashley Love, Master of Fine Arts at Virg...
'Tis Pity She's a Whore. An Elizabethan revenge tragedy by John Ford, was produced and directed by K...
Creatures. Women. Actresses. We are here because of women like Mary Betterton, Doll Common, Nell Gwy...
Actress studies has become “a truly interdisciplinary field” that “intersect[s] with art, music, lit...
Spectator Narratives: Print Representations of Performance and Nineteenth-Century Audiences examines...
This thesis is a study of the actresses on the eighteenth¬century stage. It concentrates on the mid-...
Includes bibliographical references (pages #-#)This abstract summarizes the written portion of an\ud...
In this paper I examine the issues of gender in the performances of Hamlet by Sarah Bernhardt and E...
This paper analyzes the review that the American actress in London, Elizabeth Robins, published in 1...
The conflation of the actress and the whore is as old as time, and, perhaps unsurprisingly, continue...
I presented my senior project on Wednesday, February 22, 2006, at 5:00p.m. and again at 7:30p.m. It ...
The Restoration and early eighteenth-century theaters of London formed an important mixed-gender rhe...
The purpose of this thesis is to analyse the dramatic results of introducing women to replace boy-ac...
In 1982, Richard C. Frushell urged the necessity for a critical study of Susanna Centlivre's plays. ...
This dissertation argues that between the 1790s and 1870s female performers and their publics transf...
Abstract SHE: PERFORMING BIOGRAPHY AS DRAMATIC NARRATIVE By Ashley Love, Master of Fine Arts at Virg...
'Tis Pity She's a Whore. An Elizabethan revenge tragedy by John Ford, was produced and directed by K...