Greg Giberson and Tom Moriarty have collected a rich volume that offers a state-of-the-field look at the question of the undergraduate writing major, a vital issue for compositionists as the discipline continues to evolve. What We Are Becoming provides an indispensable resource for departments and WPAs who are building undergraduate majors. Contributors to the volume address a range of vital questions for undergraduate programs, including such issues as the competition for majors within departments, the job market for undergraduates, varying focuses and curricula of such majors, and the formation of them in departments separate from English. Other chapters discuss the importance of flexibility, consider arguments for a rhetorical or civic ...
The study and teaching of academic and other practical kinds of writing has become, over the last 40...
Much of the writing we do today, whether for class, work, or personal engagement, relies on some for...
From the Introduction: Contemporary Composition is still inflected by the epistemic turn taken in t...
Greg Giberson and Tom Moriarty have collected a rich volume that offers a state-of-the-field look at...
Giberson, Greg, Jim Nugent, and Lori Ostergaard, ed. Writing Majors: Eighteen Program Profiles. Loga...
Many of today’s college students struggle with college-level writing in Standard English, and during...
A longstanding question in rhetoric and composition has been how to best educate composition graduat...
College faculty can support the growth of undergraduate writers by establishing a learning community...
First-year undergraduate composition is often dominated by pedagogical practices that focus on persu...
For undergraduates following any course of study, it is essential to develop the ability to write ef...
In the fall of 2005, as the result of various local factors, we called ourselves together to consid...
Composition research consistently demonstrates that the social context of writing determines the maj...
Undergraduate “writing methods” courses, or courses training secondary teachers how to teach writing...
The authors report the initial results from a three-year, two-site, multimodal study of the relation...
This article traces a brief history of multimodal composition practices in the field of writing stud...
The study and teaching of academic and other practical kinds of writing has become, over the last 40...
Much of the writing we do today, whether for class, work, or personal engagement, relies on some for...
From the Introduction: Contemporary Composition is still inflected by the epistemic turn taken in t...
Greg Giberson and Tom Moriarty have collected a rich volume that offers a state-of-the-field look at...
Giberson, Greg, Jim Nugent, and Lori Ostergaard, ed. Writing Majors: Eighteen Program Profiles. Loga...
Many of today’s college students struggle with college-level writing in Standard English, and during...
A longstanding question in rhetoric and composition has been how to best educate composition graduat...
College faculty can support the growth of undergraduate writers by establishing a learning community...
First-year undergraduate composition is often dominated by pedagogical practices that focus on persu...
For undergraduates following any course of study, it is essential to develop the ability to write ef...
In the fall of 2005, as the result of various local factors, we called ourselves together to consid...
Composition research consistently demonstrates that the social context of writing determines the maj...
Undergraduate “writing methods” courses, or courses training secondary teachers how to teach writing...
The authors report the initial results from a three-year, two-site, multimodal study of the relation...
This article traces a brief history of multimodal composition practices in the field of writing stud...
The study and teaching of academic and other practical kinds of writing has become, over the last 40...
Much of the writing we do today, whether for class, work, or personal engagement, relies on some for...
From the Introduction: Contemporary Composition is still inflected by the epistemic turn taken in t...