A study of a selection of paintings of masked soldiers on horseback, made by Apollinaire on his return from the front in 1916, discussing the iconography of these images, relating them to the poet's writing, showing also how they relate to a contemporary current of neo-primitivism in art, and particularly to the works of Larionov and Gontcharova
VIEWS ON THE WAR IN 1915 Three soldiers, the poet Guillaume Apollinaire, the novelist Henri Barbusse...
Troubadour style painting first appeared at the Paris Salon in the opening years of the Nineteenth c...
Being an artist is not enough to make a piece of historical art. This requires a study, the delivera...
This book presents the largely unpublished correspondence between Apollinaire and over one hundred a...
This large-format book includes full-size, facsimile, colour reproductions of over one hundred manus...
This large-format book presents over three hundred previously unpublished drawings and paintings by ...
Dans cette breve etude on essaie d'examiner un petit nombre de dessins representatifs de Thaleia Fl...
This article discusses the symbiotic relation between Guillaume Apollinaire’s late works and the Gre...
This book explores creative interaction and fraternal complicity between Picasso and the poet Guilla...
A study of coded and ironic references to gas warfare in Apollinaire's war poetry, set in the contex...
ABSTRACT The paper deals with the significance for present-day man of the prehistoric picture depict...
Apollinaire: from plays on words to plays on meanings, or “Soleil cou coupé” Guillaume Apollinaire (...
Throughout his career as a poet, Guillaume Apollinaire was also a playwright. His early comedy, A la...
O presente trabalho tem por objetivo tratar de uma parte pouco conhecida da obra de Guillaume Apolli...
<p>This dissertation addresses the lack of an identifiable group of World War I soldier-poets within...
VIEWS ON THE WAR IN 1915 Three soldiers, the poet Guillaume Apollinaire, the novelist Henri Barbusse...
Troubadour style painting first appeared at the Paris Salon in the opening years of the Nineteenth c...
Being an artist is not enough to make a piece of historical art. This requires a study, the delivera...
This book presents the largely unpublished correspondence between Apollinaire and over one hundred a...
This large-format book includes full-size, facsimile, colour reproductions of over one hundred manus...
This large-format book presents over three hundred previously unpublished drawings and paintings by ...
Dans cette breve etude on essaie d'examiner un petit nombre de dessins representatifs de Thaleia Fl...
This article discusses the symbiotic relation between Guillaume Apollinaire’s late works and the Gre...
This book explores creative interaction and fraternal complicity between Picasso and the poet Guilla...
A study of coded and ironic references to gas warfare in Apollinaire's war poetry, set in the contex...
ABSTRACT The paper deals with the significance for present-day man of the prehistoric picture depict...
Apollinaire: from plays on words to plays on meanings, or “Soleil cou coupé” Guillaume Apollinaire (...
Throughout his career as a poet, Guillaume Apollinaire was also a playwright. His early comedy, A la...
O presente trabalho tem por objetivo tratar de uma parte pouco conhecida da obra de Guillaume Apolli...
<p>This dissertation addresses the lack of an identifiable group of World War I soldier-poets within...
VIEWS ON THE WAR IN 1915 Three soldiers, the poet Guillaume Apollinaire, the novelist Henri Barbusse...
Troubadour style painting first appeared at the Paris Salon in the opening years of the Nineteenth c...
Being an artist is not enough to make a piece of historical art. This requires a study, the delivera...