This "Commentary" article surveys the career of Francis Picabia, artist and writer, discusses a new book on his Dada-period output (George Baker, "The Artwork Caught by the Tail"), a new book of translations of Picabia's writings (by Marc Lowenthal) and an exhibition at the British Library (Breaking the Rules: the printed face of the European avant-garde)
Art as a Joke. From Francis Picabia to Maurizio CattelanDada movement stripped art of seriousness, ...
The article explores the long-lasting collaboration between the Italian art critic Vittorio Pica and...
"Man Ray (1890-1976) was a pioneer of the Dada movement in the United States and France and a centra...
Photographs of Francis Picabia (who arrived in Zurich in 1918) and pages from his magazine, 391 – "e...
Francis Picabia’s Espagnoles – kitsch paintings of Spanish women in folkloric costume – are arguably...
textFollowing his 1924 break with the Paris avant-garde, Francis Picabia (1879-1953) decamped to the...
This dissertation provides a critical re-assessment of the oeuvre of Francis Picabia (1879-1953) and...
Dada art journals constitute a central but neglected part of the Dadaists\u27 creative expression. A...
This dissertation, entitled “Total Expansion of the Letter: Cubism, Dada, Mallarmé,” studies the tra...
International audienceDADA means the subversion of great narratives as frameworks of ideology. There...
How Dada is to break its cultural accommodation and containment today necessitates thinking the hist...
The Dada movement, revered as perhaps the purest form of cultural subversion and provocation in 20th...
The “re-reading” of Picabia’s œuvre proposed by the City of Paris Museum of Modern Art, 27 years aft...
This chapter is about Fondane's cinema and photography, particularly on the lost film 'Tararira' (19...
Commentary describes friction between the Dadaists. Excerpts from René Clair’s Entr’acte (1924), fr...
Art as a Joke. From Francis Picabia to Maurizio CattelanDada movement stripped art of seriousness, ...
The article explores the long-lasting collaboration between the Italian art critic Vittorio Pica and...
"Man Ray (1890-1976) was a pioneer of the Dada movement in the United States and France and a centra...
Photographs of Francis Picabia (who arrived in Zurich in 1918) and pages from his magazine, 391 – "e...
Francis Picabia’s Espagnoles – kitsch paintings of Spanish women in folkloric costume – are arguably...
textFollowing his 1924 break with the Paris avant-garde, Francis Picabia (1879-1953) decamped to the...
This dissertation provides a critical re-assessment of the oeuvre of Francis Picabia (1879-1953) and...
Dada art journals constitute a central but neglected part of the Dadaists\u27 creative expression. A...
This dissertation, entitled “Total Expansion of the Letter: Cubism, Dada, Mallarmé,” studies the tra...
International audienceDADA means the subversion of great narratives as frameworks of ideology. There...
How Dada is to break its cultural accommodation and containment today necessitates thinking the hist...
The Dada movement, revered as perhaps the purest form of cultural subversion and provocation in 20th...
The “re-reading” of Picabia’s œuvre proposed by the City of Paris Museum of Modern Art, 27 years aft...
This chapter is about Fondane's cinema and photography, particularly on the lost film 'Tararira' (19...
Commentary describes friction between the Dadaists. Excerpts from René Clair’s Entr’acte (1924), fr...
Art as a Joke. From Francis Picabia to Maurizio CattelanDada movement stripped art of seriousness, ...
The article explores the long-lasting collaboration between the Italian art critic Vittorio Pica and...
"Man Ray (1890-1976) was a pioneer of the Dada movement in the United States and France and a centra...