This studio draws attention to the political and social contexts within which public art is commissioned and encountered. It suggests that landscape architects should participate in the development of a critical language for the discussion of topics that the idea of public art involves. By implication, it asks also how site-specific art in public places connects with landscape architecture in the public realm. To regulate student work, the four classical elements of earth, air, fire and water (the “classical tetrad”) were invoked, and students were required to base their work in one of these elements, as a way to enter the world of phenomena (rather than through, say, ecological, horticultural or infrastructural frameworks). Additionall...