Uma nota de rodapé na história do teatro brasileiro : a obra invisível de Edgard da Rocha Miranda

Based on the concept of “virtual theater”, this article discusses the artistic failure of the Brazilian playwright Edgard da Rocha Miranda from a new perspective: not only takes into account his visible and documented work, but also his potential work, that could have been written if the writer had committed more effectively with his historical and biographical circumstances. To this aim, it is considered a recent discovery about the formative years of the author that can shed light on his journey and his artistic limitations