This article focuses on the narrative structure of the Byzantine vernacular romance Kallimachos and Chrysorrhoe. I argue that the first half of the romance is built upon a tripartite pattern, telling the stories of three male characters playing the role of the princess’ suitor. These three male characters are the hero, the rival, and the dragon, and their stories are reshaped and adapted from a common basic plot, each involving a similar set of typical situations and repeated motives.info:eu-repo/semantics/publishedVersio
Erotic encounters in early Greek epic This article examines the typical elements of erotic encounte...
It has been said that genre is a sprawling literary inclusion that defies definition. Although there...
Since the appearance of King Arthur in Geoffrey of Monmouth’s Historia Regum Britanniae, the legend ...
This article focuses on the narrative structure of the Byzantine vernacular romance Kallimachos and ...
This article focuses on the narrative structure of the Byzantine vernacular romance Kallimachos and ...
Magical objects play an important role in the fourteenth-century Byzantine vernacular romance "Kall...
In this paper, I analyze the journey of three brothers told in the late Byzantine romance Kallimacho...
Panagiotis A. Agapitos, Narrative Structure in the Byzantine Vernacular Romances. A textual and lite...
The story of Troilus and Criseyde constitutes a metanarrative. This thesis is concerned with version...
About eight centuries after Heliodorus, the Greek novel resurfaced in the twelfth century, in Komnen...
This study concerns four romances in vernacular Greek and in verse which are usually grouped under t...
A neglected and marginalized area of Renaissance studies, the role of daughters in the representatio...
This study is an attempt to bring together, through an analysis of Narration/narrative strategy, the...
WOS: 000324659300004The similarities between narratives that belong to societies which have differen...
The characterization of the protagonists is one of the areas where the divine and human spheres are ...
Erotic encounters in early Greek epic This article examines the typical elements of erotic encounte...
It has been said that genre is a sprawling literary inclusion that defies definition. Although there...
Since the appearance of King Arthur in Geoffrey of Monmouth’s Historia Regum Britanniae, the legend ...
This article focuses on the narrative structure of the Byzantine vernacular romance Kallimachos and ...
This article focuses on the narrative structure of the Byzantine vernacular romance Kallimachos and ...
Magical objects play an important role in the fourteenth-century Byzantine vernacular romance "Kall...
In this paper, I analyze the journey of three brothers told in the late Byzantine romance Kallimacho...
Panagiotis A. Agapitos, Narrative Structure in the Byzantine Vernacular Romances. A textual and lite...
The story of Troilus and Criseyde constitutes a metanarrative. This thesis is concerned with version...
About eight centuries after Heliodorus, the Greek novel resurfaced in the twelfth century, in Komnen...
This study concerns four romances in vernacular Greek and in verse which are usually grouped under t...
A neglected and marginalized area of Renaissance studies, the role of daughters in the representatio...
This study is an attempt to bring together, through an analysis of Narration/narrative strategy, the...
WOS: 000324659300004The similarities between narratives that belong to societies which have differen...
The characterization of the protagonists is one of the areas where the divine and human spheres are ...
Erotic encounters in early Greek epic This article examines the typical elements of erotic encounte...
It has been said that genre is a sprawling literary inclusion that defies definition. Although there...
Since the appearance of King Arthur in Geoffrey of Monmouth’s Historia Regum Britanniae, the legend ...