The work of the Brazilian artist Claudia Zimmer, born in Florianópolis, Brazil, consists of using simulations of her “half ” visual impossibility, to implant physical elements face the camera lens. Departing at the work of Zimmer, the article proposes a reflection on the question of photography and its inscription on the landscape as a process of sublimation, where the perception of light and dark presences previously undiscovered point to a possible healing of fissuresinfo:eu-repo/semantics/publishedVersio
This article proposes possible inflections for the senses that photographs made of the city a...
“A Imagem depois da Imagem: Simulacros da Paisagem” is a theoretical and practical essay that reflec...
Science and arts, apparently, would be in opposite sides of the spectrum of the human knowledge. A c...
O trabalho da artista brasileira Claudia Zimmer, nascida em Florianópolis, Brasil, consiste em utili...
The work of the Brazilian artist Claudia Zimmer, born in Florianópolis, Brazil, consists of using si...
The article discusses the hybrid relationship between nature and photography, from the idea that thi...
The article I present focuses on the work of Brazilian visual artist Rochele Zandavalli (1980), most...
This article focuses on the work of artist photographer Claudia Andujar, specifically the series Dre...
Photography is illusion. The images shine in the eyes of the viewer, giving him the impression of be...
Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, ...
[EN] This article proposes a reflection about the methods of creation of the image from two artistic...
This article is about the landscape and its permanence among the artists of Rio Grande do Sul, espec...
Este trabalho pretende abordar a fotografia como instrumento para o que o pensador francês Michel Fo...
The article provides an analysis of the modern concept of photography and reveals the relations betw...
A partir de enunciados que dão pistas a propósito da criatividade e da subjetividade na produção teó...
This article proposes possible inflections for the senses that photographs made of the city a...
“A Imagem depois da Imagem: Simulacros da Paisagem” is a theoretical and practical essay that reflec...
Science and arts, apparently, would be in opposite sides of the spectrum of the human knowledge. A c...
O trabalho da artista brasileira Claudia Zimmer, nascida em Florianópolis, Brasil, consiste em utili...
The work of the Brazilian artist Claudia Zimmer, born in Florianópolis, Brazil, consists of using si...
The article discusses the hybrid relationship between nature and photography, from the idea that thi...
The article I present focuses on the work of Brazilian visual artist Rochele Zandavalli (1980), most...
This article focuses on the work of artist photographer Claudia Andujar, specifically the series Dre...
Photography is illusion. The images shine in the eyes of the viewer, giving him the impression of be...
Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, ...
[EN] This article proposes a reflection about the methods of creation of the image from two artistic...
This article is about the landscape and its permanence among the artists of Rio Grande do Sul, espec...
Este trabalho pretende abordar a fotografia como instrumento para o que o pensador francês Michel Fo...
The article provides an analysis of the modern concept of photography and reveals the relations betw...
A partir de enunciados que dão pistas a propósito da criatividade e da subjetividade na produção teó...
This article proposes possible inflections for the senses that photographs made of the city a...
“A Imagem depois da Imagem: Simulacros da Paisagem” is a theoretical and practical essay that reflec...
Science and arts, apparently, would be in opposite sides of the spectrum of the human knowledge. A c...