Add to ORKGOn Hemingway’s modernist aesthetic and the unity of In Our Time. Corkin provides a philosophical decoding of Hemingway’s style, using industrialization as a cultural backdrop. Compares Hemingway’s work to that of filmmaker D. W. Griffith and authors such as Ezra Pound, William Dean Howells, and T. S. Eliot, arguing that Hemingway manipulates the reader into believing the stories are linked through a narrator. Rather, Corkin posits that the stories are connected through their treatment of experience as fact and emotions as product. Asserts that by promoting the importance of events, Hemingway demonstrates the interchangeability or interconnectivity of the characters through “pattern responses” to their intentionally similar situations
Argues that In Our Time should be classified as a short story cycle for it is “too finely patterned ...
Consumers of culture can often view history subjectively, perceiving people and events through an id...
Looks at Hemingway critique of the arbitrary nature of Western culture’s construction of meaning and...
Traces the differing modes of visual representation in Hemingway’s major fiction, including In Our T...
Explores Hemingway’s contributions to American minimalism through a close reading and stylistic anal...
Guide geared to students and teachers covering the biographical, cultural, and literary contexts of ...
Analyzes the relationship between Hemingway’s journalistic background and his stories, suggesting th...
In this thesis, I examine two texts by Ernest Hemingway: a short story “Hills Like White Elephants” ...
Argues against those who find Hemingway’s writing superficial and artless, showing how Hemingway’s c...
20th century was one of the most tumultuous periods in the human history. The fast-paced changes, in...
Structural pattern is a very important aspect of any novel and an understanding of it often leads to...
Consumers of culture can often view history subjectively, perceiving people and events through an id...
National audienceWhat Hemingway learned from journalism and later, in the 1920s, from his experiment...
Characterizes Hemingway as an elegiac poet influenced by Walt Whitman’s style and Ralph Waldo Emerso...
Draws on reader response theory to examine the relationship between Hemingway’s representations of t...
Argues that In Our Time should be classified as a short story cycle for it is “too finely patterned ...
Consumers of culture can often view history subjectively, perceiving people and events through an id...
Looks at Hemingway critique of the arbitrary nature of Western culture’s construction of meaning and...
Traces the differing modes of visual representation in Hemingway’s major fiction, including In Our T...
Explores Hemingway’s contributions to American minimalism through a close reading and stylistic anal...
Guide geared to students and teachers covering the biographical, cultural, and literary contexts of ...
Analyzes the relationship between Hemingway’s journalistic background and his stories, suggesting th...
In this thesis, I examine two texts by Ernest Hemingway: a short story “Hills Like White Elephants” ...
Argues against those who find Hemingway’s writing superficial and artless, showing how Hemingway’s c...
20th century was one of the most tumultuous periods in the human history. The fast-paced changes, in...
Structural pattern is a very important aspect of any novel and an understanding of it often leads to...
Consumers of culture can often view history subjectively, perceiving people and events through an id...
National audienceWhat Hemingway learned from journalism and later, in the 1920s, from his experiment...
Characterizes Hemingway as an elegiac poet influenced by Walt Whitman’s style and Ralph Waldo Emerso...
Draws on reader response theory to examine the relationship between Hemingway’s representations of t...
Argues that In Our Time should be classified as a short story cycle for it is “too finely patterned ...
Consumers of culture can often view history subjectively, perceiving people and events through an id...
Looks at Hemingway critique of the arbitrary nature of Western culture’s construction of meaning and...