An original solo work for harpsichord, commissioned by the leading UK harpsichordist and harpsichord maker Colin Booth. Written to complement, and add to, the modern repertoire for solo harpsichord, the commissioner will be giving the world premiere (probably at the Dartington International Summer School) in 2011 and including the work in a CD recording of mostly 16th and 17th century music.Tactus was inspired by the sectional structure of fantasias found in this era with their free improvisatory elements; however, in this piece, each section’s motifs evolve throughout whilst the tempo is underpinned by a steady pulse. It is this which gives the piece its title, Tactus, being a term used to describe a source of timekeeping dating back to ...
This article investigates the extent of production and perception of dynamic differences on a French...
Building upon the theories of rhythm and meter of Kramer, Lerdahl and Jackendoff, Rothstein, and Sch...
At the Edinburgh University Collection of Historical Instruments (EUCHMI) there are two virginals w...
An original solo work for harpsichord, commissioned by the leading UK harpsichordist and harpsichord...
Before the advent of the metronome (which was used to accurately gauge the speed of a composition) a...
Tempo and Tactus in the German Baroque: Treatises, Scores, and the Performance of Organ Music. By Ju...
This dissertation studies the principles and applications of tone-metric analysis, a novel analytica...
The present study explores the relationship between the seventeenth-century free-style repertoire fo...
Includes recorded audio files in WAV and MP3 format, 63:03 in length.The harpsichord and its literat...
Description of the Cambridge Encyclopedia of Historical Performance in Music: Recent decades have se...
Early Music, its history, theory and practice, has become a vigorously discussed theme in the field ...
The music covered in this study contains much more variety, interest and artistic skill than one mig...
La notation mensuraliste des XVe et XVIe siècles suscite débats et interrogations parmi les musicolo...
My Bachelor thesis The historical development of cadences with a view to the baroque keyboard repert...
This piece for harpsichord took its inspiration from two well-known harpsichord pieces, one in C, th...
This article investigates the extent of production and perception of dynamic differences on a French...
Building upon the theories of rhythm and meter of Kramer, Lerdahl and Jackendoff, Rothstein, and Sch...
At the Edinburgh University Collection of Historical Instruments (EUCHMI) there are two virginals w...
An original solo work for harpsichord, commissioned by the leading UK harpsichordist and harpsichord...
Before the advent of the metronome (which was used to accurately gauge the speed of a composition) a...
Tempo and Tactus in the German Baroque: Treatises, Scores, and the Performance of Organ Music. By Ju...
This dissertation studies the principles and applications of tone-metric analysis, a novel analytica...
The present study explores the relationship between the seventeenth-century free-style repertoire fo...
Includes recorded audio files in WAV and MP3 format, 63:03 in length.The harpsichord and its literat...
Description of the Cambridge Encyclopedia of Historical Performance in Music: Recent decades have se...
Early Music, its history, theory and practice, has become a vigorously discussed theme in the field ...
The music covered in this study contains much more variety, interest and artistic skill than one mig...
La notation mensuraliste des XVe et XVIe siècles suscite débats et interrogations parmi les musicolo...
My Bachelor thesis The historical development of cadences with a view to the baroque keyboard repert...
This piece for harpsichord took its inspiration from two well-known harpsichord pieces, one in C, th...
This article investigates the extent of production and perception of dynamic differences on a French...
Building upon the theories of rhythm and meter of Kramer, Lerdahl and Jackendoff, Rothstein, and Sch...
At the Edinburgh University Collection of Historical Instruments (EUCHMI) there are two virginals w...