In discussions of the conservation of culturally significant architecture, awareness about issues of temporality and its theoretical import has been approached from varied, partial, perspectives. These perspectives have usually focused on accounts of temporality that focus on the past and the present – and more rarely the future – without considering either the complete spectrum of human temporality or its ontological bases. This article addresses this shortcoming with a phenomenology of conservation grounded on the fundamental attitudes of cultivation and care. After a phenomenological and existentialist analysis of Cesare Brandi’s thought – focusing on his paradigmatic Theory of Restoration – his attitude comes forth as a limited instance...
At the time of modernity, the perfect adequacy of the architectural object to its use was enough to ...
1. This year\u27s issue of Oz seeks to investigate the lasting qualities of architecture within our...
As a title, On Never Mistaking Culture for an End has a meaning which is multivalent, one that is ad...
In discussions of the conservation of culturally significant architecture, awareness about issues of...
In conservation of culturally significant architecture (CSA), awareness about problems of temporalit...
In conservation of culturally significant architecture (CSA), awareness about problems of temporalit...
In conservation of culturally significant architecture (CSA), awareness about problems of temporalit...
In this article, I discuss the categories of time and space in lightof heritage conservation. I demo...
Time has been the subject of much philosophical speculation ever since the Greeks, but in its percei...
The aim of this study is to prove at a general theoretical level that by means of the notion of the ...
In our sensorial experience of reality, time stands as a primary category through which we mark the ...
The aim of this thesis is to develop an alternative conceptual understanding of architectural conser...
The world in which a work of architecture is created in perishes at the instant of its creation. Arc...
Our current conception of architectural history's normative possibilities return to the emergent sur...
In this work Deborah Hauptmann deals with the relationships between mind, body, architecture and the...
At the time of modernity, the perfect adequacy of the architectural object to its use was enough to ...
1. This year\u27s issue of Oz seeks to investigate the lasting qualities of architecture within our...
As a title, On Never Mistaking Culture for an End has a meaning which is multivalent, one that is ad...
In discussions of the conservation of culturally significant architecture, awareness about issues of...
In conservation of culturally significant architecture (CSA), awareness about problems of temporalit...
In conservation of culturally significant architecture (CSA), awareness about problems of temporalit...
In conservation of culturally significant architecture (CSA), awareness about problems of temporalit...
In this article, I discuss the categories of time and space in lightof heritage conservation. I demo...
Time has been the subject of much philosophical speculation ever since the Greeks, but in its percei...
The aim of this study is to prove at a general theoretical level that by means of the notion of the ...
In our sensorial experience of reality, time stands as a primary category through which we mark the ...
The aim of this thesis is to develop an alternative conceptual understanding of architectural conser...
The world in which a work of architecture is created in perishes at the instant of its creation. Arc...
Our current conception of architectural history's normative possibilities return to the emergent sur...
In this work Deborah Hauptmann deals with the relationships between mind, body, architecture and the...
At the time of modernity, the perfect adequacy of the architectural object to its use was enough to ...
1. This year\u27s issue of Oz seeks to investigate the lasting qualities of architecture within our...
As a title, On Never Mistaking Culture for an End has a meaning which is multivalent, one that is ad...