The purpose of this thesis was to explore the ways a fragmented identity can be reconciled through examination and analysis of Mary Shelley’s Frankenstein and several other works of art. Findings suggest that identity is both generated by and projected onto individuals, and reconciliation of these questions can turn the concept of monstrosity from a negative to a positive. This research supports and promotes the notion that individuals are more than simply the sum of all their parts, and that identities can simultaneously endure the paradox of being fragmented yet whole
This article explores the “daemons” that many university students face by exploring Mary Shelley’s F...
(Statement of Responsibility) by Elliot Golden(Thesis) Thesis (B.A.) -- New College of Florida, 20...
Using two examples of literary monsters, the Creature in Mary Shelley’s Frankenstein (1818), and Gre...
The purpose of this thesis was to explore the ways a fragmented identity can be reconciled through e...
This thesis investigates the influences of Mary Shelley and trace her construction of Frankenstein. ...
This paper explores Mary Shelley's Frankenstein as a text that deconstructs the binaries of identity...
This research paper focuses on the influence of domesticity in Mary Shelley’s Frankenstein. The moti...
Mary Shelley’s 1818 Frankenstein and Mamoru Oshii’s Ghost in the Shell films (1995 and 2004) were bo...
The misery of not being seen and recognized for who we are makes us blindly grope in the dark someti...
The article focuses on the problem of the narrator’s and the author’s identity in Mary Shelley’s Fr...
Magister Artium - MAThis thesis will examine the representation of the figure of Percy Shelley in th...
The human self is a multifaceted concept involving a complex interplay between mind, body, and exper...
(Statement of Responsibility) by Amanda Hash(Thesis) Thesis (B.A.) -- New College of Florida, 2019...
thesisHere in the twenty-first century, identity is more malleable than ever. Globalization, technol...
Mary Shelley developed and wrote Frankenstein (1818) amidst the rich intellectual and scientific dev...
This article explores the “daemons” that many university students face by exploring Mary Shelley’s F...
(Statement of Responsibility) by Elliot Golden(Thesis) Thesis (B.A.) -- New College of Florida, 20...
Using two examples of literary monsters, the Creature in Mary Shelley’s Frankenstein (1818), and Gre...
The purpose of this thesis was to explore the ways a fragmented identity can be reconciled through e...
This thesis investigates the influences of Mary Shelley and trace her construction of Frankenstein. ...
This paper explores Mary Shelley's Frankenstein as a text that deconstructs the binaries of identity...
This research paper focuses on the influence of domesticity in Mary Shelley’s Frankenstein. The moti...
Mary Shelley’s 1818 Frankenstein and Mamoru Oshii’s Ghost in the Shell films (1995 and 2004) were bo...
The misery of not being seen and recognized for who we are makes us blindly grope in the dark someti...
The article focuses on the problem of the narrator’s and the author’s identity in Mary Shelley’s Fr...
Magister Artium - MAThis thesis will examine the representation of the figure of Percy Shelley in th...
The human self is a multifaceted concept involving a complex interplay between mind, body, and exper...
(Statement of Responsibility) by Amanda Hash(Thesis) Thesis (B.A.) -- New College of Florida, 2019...
thesisHere in the twenty-first century, identity is more malleable than ever. Globalization, technol...
Mary Shelley developed and wrote Frankenstein (1818) amidst the rich intellectual and scientific dev...
This article explores the “daemons” that many university students face by exploring Mary Shelley’s F...
(Statement of Responsibility) by Elliot Golden(Thesis) Thesis (B.A.) -- New College of Florida, 20...
Using two examples of literary monsters, the Creature in Mary Shelley’s Frankenstein (1818), and Gre...