"Reclaiming Reason" is the first full-length study of Geoffrey Chaucer's prose. Though scholars have written on the prose texts individually, the most pressing questions have yet to be considered: what, specifically, does Chaucer offer in these works, and why does he choose prose to do so? In pursuit of answers to these questions, "Reclaiming Reason" examines the politics of reading and interpretation in the late Middle Ages and discovers that through his prose works—the Boece, the Treatise on the Astrolabe, the Tale of Melibee, the Parson's Tale, and the Retraction—Chaucer models principles of interpretation for a time when access to knowledge was controlled by a variety of self-serving authorities. Indeed, these works offer readers strate...
Like certain of his more reactionary religious contemporaries (most notably, Nicholas of Lyra, O.F.M...
Although Chaucer\u27s concern with problems of authority is widely recognized by scholars, the Tale ...
The question of the "dramatic principle" in the Canterbury Tales , of whether and how the individual...
<p>This study argues that Chaucer's poetry belongs to a far-reaching conversation about the forms of...
This dissertation situates Chaucer's Retraction in the context of medieval thinking about authorial ...
This study examines Chaucer\u27s major poetry from the perspectives of recent work done on the psych...
The Canterbury Tales and Chaucer’s Corrective FormbyChad Gregory CrossonDoctor of Philosophy in Engl...
This thesis makes a new case for Chaucer as a philosophical poet, arguing that his art is profoundly...
This study examines Chaucer\u27s manipulations of medieval rhetorical theory in the chivalric narrat...
Bibliography: pages 74-83.The thesis attempts to show the complexity of the literary challenge which...
Models of medieval reading often describe a process that divorces emotion from intellect or that see...
The clerical exegesis within Chaucer's Canterbury Tales has frequently been connected to medieval et...
The Host's call for "Tales of best sentence and most solaas" is the only aesthetic criterion raised ...
textMy dissertation reexamines Chaucer’s debts to the Consolation by reconciling Boethius’s Neoplato...
Re-telling Old Stories situates Chaucer within a classical and Italian tradition of intertextuality....
Like certain of his more reactionary religious contemporaries (most notably, Nicholas of Lyra, O.F.M...
Although Chaucer\u27s concern with problems of authority is widely recognized by scholars, the Tale ...
The question of the "dramatic principle" in the Canterbury Tales , of whether and how the individual...
<p>This study argues that Chaucer's poetry belongs to a far-reaching conversation about the forms of...
This dissertation situates Chaucer's Retraction in the context of medieval thinking about authorial ...
This study examines Chaucer\u27s major poetry from the perspectives of recent work done on the psych...
The Canterbury Tales and Chaucer’s Corrective FormbyChad Gregory CrossonDoctor of Philosophy in Engl...
This thesis makes a new case for Chaucer as a philosophical poet, arguing that his art is profoundly...
This study examines Chaucer\u27s manipulations of medieval rhetorical theory in the chivalric narrat...
Bibliography: pages 74-83.The thesis attempts to show the complexity of the literary challenge which...
Models of medieval reading often describe a process that divorces emotion from intellect or that see...
The clerical exegesis within Chaucer's Canterbury Tales has frequently been connected to medieval et...
The Host's call for "Tales of best sentence and most solaas" is the only aesthetic criterion raised ...
textMy dissertation reexamines Chaucer’s debts to the Consolation by reconciling Boethius’s Neoplato...
Re-telling Old Stories situates Chaucer within a classical and Italian tradition of intertextuality....
Like certain of his more reactionary religious contemporaries (most notably, Nicholas of Lyra, O.F.M...
Although Chaucer\u27s concern with problems of authority is widely recognized by scholars, the Tale ...
The question of the "dramatic principle" in the Canterbury Tales , of whether and how the individual...