The purpose of this treatise is to present a survey of the solo guitar works written for Julian Bream and to illuminate their historical significance and lasting importance to the guitar repertoire. For each piece, this treatise provides a brief biographical sketch of each composer, a survey of the relevant literature and, where necessary, a brief theoretical analysis. At the end of each section, a “Performer’s Note” has been included, which details the specific difficulties of performing each piece. Hopefully, this treatise will provide guitarists interested in the pieces written for Julian Bream a reference for performance and study
In the past, more precisely in the Fifteenth and Sixteenth centuries, both pieces for keyboard instr...
textThis treatise presents a set of nine concert etudes for classical guitar in several historical ...
Includes bibliographical references (pages 131-133)This thesis is concerned with the guitar music of...
The aim of my Bachelor´s Thesis is to describe the life and the musical performance of one of the mo...
Julian Bream is not only a virtuoso guitarist, but he is also well known as a pioneer who expanded t...
The study addresses the preparatory information needs of potential performers of solo classical guit...
The research presented here examines defining characteristics of the solo jazz guitar style of Joe P...
Composed in 1927 and dedicated to Segovia, Ponce's Sonata III, one of the staples of the classical g...
The last four hundred years have seen the guitar fall in and out of fashion, from its position as a...
This project seeks to understand the artistic renown of the Peter Pears (1910 – 1986) and Julian Bre...
This dissertation provides an analysis of Concierto de Aranjuez (1939) by Joaquín Rodrigo (1901-1995...
This essay came about as a result of the desire to study and collect the guitar music of Franco Marg...
This dissertation provides an analysis of Concierto de Aranjuez (1939) by Joaquín Rodrigo (1901-1995...
The technical limitations ofthe guitar present composers who do not play the instrument themselves b...
Composer-performer collaboration in the creation of new works for solo classical guitar is shaped by...
In the past, more precisely in the Fifteenth and Sixteenth centuries, both pieces for keyboard instr...
textThis treatise presents a set of nine concert etudes for classical guitar in several historical ...
Includes bibliographical references (pages 131-133)This thesis is concerned with the guitar music of...
The aim of my Bachelor´s Thesis is to describe the life and the musical performance of one of the mo...
Julian Bream is not only a virtuoso guitarist, but he is also well known as a pioneer who expanded t...
The study addresses the preparatory information needs of potential performers of solo classical guit...
The research presented here examines defining characteristics of the solo jazz guitar style of Joe P...
Composed in 1927 and dedicated to Segovia, Ponce's Sonata III, one of the staples of the classical g...
The last four hundred years have seen the guitar fall in and out of fashion, from its position as a...
This project seeks to understand the artistic renown of the Peter Pears (1910 – 1986) and Julian Bre...
This dissertation provides an analysis of Concierto de Aranjuez (1939) by Joaquín Rodrigo (1901-1995...
This essay came about as a result of the desire to study and collect the guitar music of Franco Marg...
This dissertation provides an analysis of Concierto de Aranjuez (1939) by Joaquín Rodrigo (1901-1995...
The technical limitations ofthe guitar present composers who do not play the instrument themselves b...
Composer-performer collaboration in the creation of new works for solo classical guitar is shaped by...
In the past, more precisely in the Fifteenth and Sixteenth centuries, both pieces for keyboard instr...
textThis treatise presents a set of nine concert etudes for classical guitar in several historical ...
Includes bibliographical references (pages 131-133)This thesis is concerned with the guitar music of...