An article exploring Ignasi Monreal's digital paintings which formed the basis of a major advertising campaign by Gucci in 2018. His work was placed in the broader context of fashion illustration and its relationship with photography and asked why so little fashion illustration has explored the potential of narrative in the way that other areas of fashion marketing have, such as photography, shows and films. The article discusses Monreal's narrative based work and his approach to appropriation
Fashionable bodies are no longer young. This seems the new extreme narration of the fashion world, w...
My project explores the parallels and overlaps between the worlds of fashion and art through surveyi...
This study focuses on analyzing the quality and relevance of the online advertising information of a...
The relationship between art and luxury is not a simple coincidence (Chailan, 2018). Indeed, art arg...
Widely known for his commercial work for clients such as Nike, Adidas, Gucci, BMW, The Face, Arena a...
An introduction to Gary Card's practice within fashion, which involves set design and costume making...
<p><i>The aim of the article </i>is to identify the types and functions of fashion...
This article examines the current prevalence of fashion designers working in association with celebr...
With its impromptu pervasiveness, the image has taken on enormous strength today, mitigated only by ...
Despite the many transformations in aesthetics and technologies that fashion photography has undergo...
With the current climate of the art market as its own massive asset class, as well as, the exponenti...
An article about political subtexts and strategies in Antonio's fashion illustrations and the politi...
The coronavirus pandemic has brought great challenges to the fashion sector from supply-chain collap...
In this paper, I situate the meteoric rise of the Parisian fashion collective Vetements within the p...
The recent global luxury industry has transformed from a constellation of small and medium-sized ent...
Fashionable bodies are no longer young. This seems the new extreme narration of the fashion world, w...
My project explores the parallels and overlaps between the worlds of fashion and art through surveyi...
This study focuses on analyzing the quality and relevance of the online advertising information of a...
The relationship between art and luxury is not a simple coincidence (Chailan, 2018). Indeed, art arg...
Widely known for his commercial work for clients such as Nike, Adidas, Gucci, BMW, The Face, Arena a...
An introduction to Gary Card's practice within fashion, which involves set design and costume making...
<p><i>The aim of the article </i>is to identify the types and functions of fashion...
This article examines the current prevalence of fashion designers working in association with celebr...
With its impromptu pervasiveness, the image has taken on enormous strength today, mitigated only by ...
Despite the many transformations in aesthetics and technologies that fashion photography has undergo...
With the current climate of the art market as its own massive asset class, as well as, the exponenti...
An article about political subtexts and strategies in Antonio's fashion illustrations and the politi...
The coronavirus pandemic has brought great challenges to the fashion sector from supply-chain collap...
In this paper, I situate the meteoric rise of the Parisian fashion collective Vetements within the p...
The recent global luxury industry has transformed from a constellation of small and medium-sized ent...
Fashionable bodies are no longer young. This seems the new extreme narration of the fashion world, w...
My project explores the parallels and overlaps between the worlds of fashion and art through surveyi...
This study focuses on analyzing the quality and relevance of the online advertising information of a...