Add to ORKGThis thesis investigates the relationship between historical ethnographic photographs of Native Americans, their disposition in archives and collections, and the relationship of those images to their contemporary circulation and use by Native American artists, and others, particularly in New Mexico. Having undertaken original research into mid-19th century photographs in archives internationally, pertaining to Native America in the American Southwest, new histories and a reframing of the photographs in question has been assembled. This portion of the research was undertaken both as a starting point for further investigation, and as a return to the people of New Mexico, particularly the Indigenous inhabitants of that place. In light of the n...
Much of Indigenous peoples’ experience in America has been shaped by white settler colonialism, poli...
From 1895 to 1904, Pasadena bookstore owner Adam Clark Vroman (1856–1916) made eight summer trips to...
History is a constructed body of knowledge about the past, and how it is recorded helps give form to...
Photographs of Native Americans taken by Frank A. Rinehart at the Trans-Mississippi and Internationa...
Photographs, and work with photograph collections, are among the delights of archival research. We a...
This dissertation examines how Native art makes critical interventions that are aesthetically and in...
Throughout archives of photographic collections, as one discovers the focused, artistic selective pr...
At the turn of the twentieth century, photographers like Edward Curtis were creating romanticized im...
The purpose of this thesis is to examine the photographer Edward Sheriff Curtis and his primary phot...
Despite the resurgent interest in the region in the wake of the 1994 Zapatista uprising, Chiapas’ vi...
Soon after its inception the camera became the primary vehicle for producing images of Native Americ...
This thesis examines the photographic production of contemporary North American Indigenous artists w...
The original face-to-face encounter of American Indians in portraits and pictorial field studies rei...
It is well known that by the turn of the century, male photographers, such as Edward S. Curtis were ...
This dissertation investigates how the Pueblo of Pojoaque went from near desertion to a community th...
Much of Indigenous peoples’ experience in America has been shaped by white settler colonialism, poli...
From 1895 to 1904, Pasadena bookstore owner Adam Clark Vroman (1856–1916) made eight summer trips to...
History is a constructed body of knowledge about the past, and how it is recorded helps give form to...
Photographs of Native Americans taken by Frank A. Rinehart at the Trans-Mississippi and Internationa...
Photographs, and work with photograph collections, are among the delights of archival research. We a...
This dissertation examines how Native art makes critical interventions that are aesthetically and in...
Throughout archives of photographic collections, as one discovers the focused, artistic selective pr...
At the turn of the twentieth century, photographers like Edward Curtis were creating romanticized im...
The purpose of this thesis is to examine the photographer Edward Sheriff Curtis and his primary phot...
Despite the resurgent interest in the region in the wake of the 1994 Zapatista uprising, Chiapas’ vi...
Soon after its inception the camera became the primary vehicle for producing images of Native Americ...
This thesis examines the photographic production of contemporary North American Indigenous artists w...
The original face-to-face encounter of American Indians in portraits and pictorial field studies rei...
It is well known that by the turn of the century, male photographers, such as Edward S. Curtis were ...
This dissertation investigates how the Pueblo of Pojoaque went from near desertion to a community th...
Much of Indigenous peoples’ experience in America has been shaped by white settler colonialism, poli...
From 1895 to 1904, Pasadena bookstore owner Adam Clark Vroman (1856–1916) made eight summer trips to...
History is a constructed body of knowledge about the past, and how it is recorded helps give form to...