This study attempts to establish the advantages and limitations of the combined use of portable UV–Vis-FORS and XRF-XRD portable equipment for the non-invasive characterisation of pigments from Roman wall paintings from Seville, Spain, dated to the first and second century AD. XRD revealed the presence of calcite, dolomite and aragonite, indicating the colour white. Egyptian blue was identified using FORS and XRF, and additional information was obtained with XRD. For the colour green, FORS and mainly FTIR and colorimetry enabled the distinction between glauconite and celadonite, although other techniques were necessary to classify all components of the green areas by determining the presence of cuprorivaite, chlorite and chromium. For the c...
Two paintings by the Neapolitan Renaissance painter Colantonio were studied with two non-invasive te...
The Fine Arts Museum in Seville conserves an especially wide group of paintings from the 16th centur...
This work concerns the characterisation of a set of wall painting and stucco fragments collected dur...
The materials and techniques of wall paintings decorating the Domus of Octavius Quartio, an outstand...
The characterization of materials used in the archaeological field needs an experimental approach in...
In this paper the analysis of samples of Roman age wall paintings coming from: Pordenone, Vicenza a...
This paper proposed a multianalytical, non-invasive, accessible and expensive (compared to tradition...
This study presents the results of the examination and characterisation of the wall paintings that d...
Mural paintings which decorate the external façade and the internal apsidal wall of a chapel dedica...
The pigment use in the Tomb of the Reliefs (4th century BC) and four other tombs (7th-4th century BC...
In the present study, we investigated by the joint use of portable instrumentations, namely a handhe...
In the Roman wall paintings different white colours were used, named Paraetonium, Melinum, Anularia,...
This work deals with the study of the physico-chemical characteristics of pigments found on pottery ...
This paper is part of a systematic archaeometric investigation aimed at the characterisation of the ...
Roman wall paintings at Ostia Antica were studied for the first time in situ in an integrated approa...
Two paintings by the Neapolitan Renaissance painter Colantonio were studied with two non-invasive te...
The Fine Arts Museum in Seville conserves an especially wide group of paintings from the 16th centur...
This work concerns the characterisation of a set of wall painting and stucco fragments collected dur...
The materials and techniques of wall paintings decorating the Domus of Octavius Quartio, an outstand...
The characterization of materials used in the archaeological field needs an experimental approach in...
In this paper the analysis of samples of Roman age wall paintings coming from: Pordenone, Vicenza a...
This paper proposed a multianalytical, non-invasive, accessible and expensive (compared to tradition...
This study presents the results of the examination and characterisation of the wall paintings that d...
Mural paintings which decorate the external façade and the internal apsidal wall of a chapel dedica...
The pigment use in the Tomb of the Reliefs (4th century BC) and four other tombs (7th-4th century BC...
In the present study, we investigated by the joint use of portable instrumentations, namely a handhe...
In the Roman wall paintings different white colours were used, named Paraetonium, Melinum, Anularia,...
This work deals with the study of the physico-chemical characteristics of pigments found on pottery ...
This paper is part of a systematic archaeometric investigation aimed at the characterisation of the ...
Roman wall paintings at Ostia Antica were studied for the first time in situ in an integrated approa...
Two paintings by the Neapolitan Renaissance painter Colantonio were studied with two non-invasive te...
The Fine Arts Museum in Seville conserves an especially wide group of paintings from the 16th centur...
This work concerns the characterisation of a set of wall painting and stucco fragments collected dur...