Argues that In Our Time should be classified as a short story cycle for it is “too finely patterned to be described as a mere collection of stories and too dependent on individual components to be described as a novel.” Opens with a composition and publication history, along with Hemingway’s own comments, to ground his argument that the book is structurally unified. Concludes that Hemingway’s combination of the linear with the associational (patterns built on recurring situations, motifs, and themes) unifies the sketches with the stories. Examines themes of violence, chaos, racism, family, and marriage, among others
Argues against those who find Hemingway’s writing superficial and artless, showing how Hemingway’s c...
Critical discourse surrounding the short story cycle has traditionally offered two differing approac...
In my thesis, I aim to analyze this “wound” or “injury” theory1 through a close reading of three sel...
Summarizes the critical debate concerning the composite novel’s genre, drawing on In Our Time in his...
Contends that the “indecipherable” nature of “Big Two-Hearted River” is answered through intertextua...
Explores Hemingway’s contributions to American minimalism through a close reading and stylistic anal...
On Hemingway’s modernist aesthetic and the unity of In Our Time. Corkin provides a philosophical dec...
Guide geared to students and teachers covering the biographical, cultural, and literary contexts of ...
Proposes that the novel is a “cubist anatomy” since its structure and the presence of the vignettes ...
Reads In Our Time, Three Stories and Ten Poems, and The Sun Also Rises as a synthesis of realism and...
Structural pattern is a very important aspect of any novel and an understanding of it often leads to...
While the story cycle form has been popular for centuries, as seen in works like 'The Decameron' and...
Examines the original chapters of In Our Time to show how Hemingway’s early experiments in theme and...
Refutes criticism comparing the structure of In Our Time to radical modernist cubism. Points to dist...
Stylistic treatment focused on Hemingway’s depiction of violence and its aftermath in scenes from “N...
Argues against those who find Hemingway’s writing superficial and artless, showing how Hemingway’s c...
Critical discourse surrounding the short story cycle has traditionally offered two differing approac...
In my thesis, I aim to analyze this “wound” or “injury” theory1 through a close reading of three sel...
Summarizes the critical debate concerning the composite novel’s genre, drawing on In Our Time in his...
Contends that the “indecipherable” nature of “Big Two-Hearted River” is answered through intertextua...
Explores Hemingway’s contributions to American minimalism through a close reading and stylistic anal...
On Hemingway’s modernist aesthetic and the unity of In Our Time. Corkin provides a philosophical dec...
Guide geared to students and teachers covering the biographical, cultural, and literary contexts of ...
Proposes that the novel is a “cubist anatomy” since its structure and the presence of the vignettes ...
Reads In Our Time, Three Stories and Ten Poems, and The Sun Also Rises as a synthesis of realism and...
Structural pattern is a very important aspect of any novel and an understanding of it often leads to...
While the story cycle form has been popular for centuries, as seen in works like 'The Decameron' and...
Examines the original chapters of In Our Time to show how Hemingway’s early experiments in theme and...
Refutes criticism comparing the structure of In Our Time to radical modernist cubism. Points to dist...
Stylistic treatment focused on Hemingway’s depiction of violence and its aftermath in scenes from “N...
Argues against those who find Hemingway’s writing superficial and artless, showing how Hemingway’s c...
Critical discourse surrounding the short story cycle has traditionally offered two differing approac...
In my thesis, I aim to analyze this “wound” or “injury” theory1 through a close reading of three sel...