Based on arguments from both philosophical and empirical aesthetics, we hereby propose that the enjoyment of negative emotions in art and fiction is distinct from the immediate pleasure deriving from sensory features, because it requires a conscious, intentional attitude toward the object. This attitude is linked with the compelling goal of providing a judgment of liking, beauty, perfection, or similar
Aesthetic value and good taste usually go hand in hand. A person with good taste is, typically, some...
Are aesthetic judgements cognitive, belief-like states or non-cognitive, desire-like states? There h...
Two seemingly contradictory aspects have marked art’s appreciation – and aesthetic appreciation in g...
In matters of aesthetic appreciation, we all have our “guilty pleasures”, those moments when we feel...
This is the first comprehensive theoretical article on aesthetic emotions. Following Kant's definiti...
This is the first comprehensive theoretical article on aesthetic emotions. Following Kant’s definiti...
Why are negative emotions so central in art reception far beyond tragedy? Revisiting classical aesth...
The aim of the paper is to reassess the prospects of a widely neglected affective conception of the ...
The ability to distinguish between emotions is considered indicative of well-being, but does emotion...
The development of interpretive criticism in the arts has raised doubts concerning the possibility f...
Analytic aesthetics has been obsessed with mature, art historically well-informed aesthetic judgment...
[eng] Relations between disgust and evaluative judgments are widely presented with an amplification ...
Aesthetic value and good taste usually go hand in hand. A person with good taste is, typically, some...
Are aesthetic judgements cognitive, belief-like states or non-cognitive, desire-like states? There h...
Two seemingly contradictory aspects have marked art’s appreciation – and aesthetic appreciation in g...
In matters of aesthetic appreciation, we all have our “guilty pleasures”, those moments when we feel...
This is the first comprehensive theoretical article on aesthetic emotions. Following Kant's definiti...
This is the first comprehensive theoretical article on aesthetic emotions. Following Kant’s definiti...
Why are negative emotions so central in art reception far beyond tragedy? Revisiting classical aesth...
The aim of the paper is to reassess the prospects of a widely neglected affective conception of the ...
The ability to distinguish between emotions is considered indicative of well-being, but does emotion...
The development of interpretive criticism in the arts has raised doubts concerning the possibility f...
Analytic aesthetics has been obsessed with mature, art historically well-informed aesthetic judgment...
[eng] Relations between disgust and evaluative judgments are widely presented with an amplification ...
Aesthetic value and good taste usually go hand in hand. A person with good taste is, typically, some...
Are aesthetic judgements cognitive, belief-like states or non-cognitive, desire-like states? There h...
Two seemingly contradictory aspects have marked art’s appreciation – and aesthetic appreciation in g...