The born-digital audio-visual (AV) holdings of the German National Library of Science and Technology are analyzed regarding the present file formats. The most frequent AV file formats are examined in terms of suitability as preservation format based on a catalogue of criteria. Furthermore their risk of obsolescence is evaluated using view paths. The examined file formats are not preferred as preservation formats, but they are not obsolete either
The Digital Preservation Storage Criteria (or “Criteria”) resulted from a community discussion at iP...
Data and their carriers work in tandem with each other. Data needs a carrier, whether it is a sheet ...
We report the preliminary results of PrestoPRIME, an EU FP7 integrated project, including audiovisua...
The born-digital audio-visual (AV) holdings of the German National Library of Science and Technology...
The German Nation Library of Science and Technology (TIB) runs a digital archive in order to preserv...
This paper introduces the motivation and describes the model of a novel metadata standard for the ex...
After a short introduction into the role of this audiovisual archive, the authors, who form the core...
Many cultural heritage institutions with digital collections have performed assessments of file form...
Physical preservation of obsolete audiovisual (AV) formats is complex. Many aspects must be consider...
The Digital Preservation Storage Criteria (hereafter, the Criteria) grew out of a community discussi...
Access to audiovisual content continues to lag behind that of textual and still image content. Its t...
The mass digitisation of analogue archive holdings plus the transition to tapeless production for ne...
Memory institutions face increasing volumes of electronic documents and other media content for long...
Digital audio-visual preservation is nerve of the research nowadays in this digital world, where use...
AV Digitisation between two Stools – a Progress Report on Digital Preservation in Higher Education (...
The Digital Preservation Storage Criteria (or “Criteria”) resulted from a community discussion at iP...
Data and their carriers work in tandem with each other. Data needs a carrier, whether it is a sheet ...
We report the preliminary results of PrestoPRIME, an EU FP7 integrated project, including audiovisua...
The born-digital audio-visual (AV) holdings of the German National Library of Science and Technology...
The German Nation Library of Science and Technology (TIB) runs a digital archive in order to preserv...
This paper introduces the motivation and describes the model of a novel metadata standard for the ex...
After a short introduction into the role of this audiovisual archive, the authors, who form the core...
Many cultural heritage institutions with digital collections have performed assessments of file form...
Physical preservation of obsolete audiovisual (AV) formats is complex. Many aspects must be consider...
The Digital Preservation Storage Criteria (hereafter, the Criteria) grew out of a community discussi...
Access to audiovisual content continues to lag behind that of textual and still image content. Its t...
The mass digitisation of analogue archive holdings plus the transition to tapeless production for ne...
Memory institutions face increasing volumes of electronic documents and other media content for long...
Digital audio-visual preservation is nerve of the research nowadays in this digital world, where use...
AV Digitisation between two Stools – a Progress Report on Digital Preservation in Higher Education (...
The Digital Preservation Storage Criteria (or “Criteria”) resulted from a community discussion at iP...
Data and their carriers work in tandem with each other. Data needs a carrier, whether it is a sheet ...
We report the preliminary results of PrestoPRIME, an EU FP7 integrated project, including audiovisua...