Christina Stead's life is at once too well and too little known. Fourteen major works, totally more than five and a half thousand pages, refract half a century of her experiences on three continents. These are complemented by important caches of surviving letters, which evoke her impressions of specific places and countries, capture the ebb and flow of her personal relations, and offer apparently frank avowals on a variety of literary, social and historical subjects. Moreover Stead, following the reissuing of The Man Who Loved Children in 1965, enjoyed considerable fame and, after returning permanently to her native land in 1975, made herself publicly available on numerous occasions, including for lengthy periods as a writer in residence...
Examining the late style of a writer is like skirting around quicksand. End-of-career reflection can...
The paper considers the world within that Stead brought to her first novel, made up from a wide rang...
This paper will examine the ultimately incommensurable divide between the listening ear and speaking...
Christina Stead's life is at once too well and too little known. Fourteen major works, totally more...
Christina Stead was one of the great Australian writers of the twentieth century. After a revived in...
Christina Stead (1902–1983) was an Australian novelist and short-story writer acclaimed for her sati...
Christina Stead is a modernist whose life and art are profoundly informed by socialism. Chapter I de...
This essay seeks to modify the notion of Stead as an intrepid, forthright writer, as well as to cont...
[Extract]Christina Stead was, as Jose Yglesias rightly highlighted in 1965, a product of the 1930s-i...
The fiction of Christina Stead ( 1902-83) is at last receiving something of its proper recognition a...
Christina Stead, who came of age as a writer in the 1930s, enjoyed trans-Atlantic fame before the o...
Readers and scholars routinely recognise a certain unpleasant and repellent quality in the fiction o...
Examining the late style of a writer is like skirting around quicksand. End-of-career reflection ca...
This essay analyzes how the literary modes of realism and modernism coexist and interact in Christin...
Thesis (PhD)--Macquarie University, School of English, Linguistics and Media, 1997.Bibliography: p. ...
Examining the late style of a writer is like skirting around quicksand. End-of-career reflection can...
The paper considers the world within that Stead brought to her first novel, made up from a wide rang...
This paper will examine the ultimately incommensurable divide between the listening ear and speaking...
Christina Stead's life is at once too well and too little known. Fourteen major works, totally more...
Christina Stead was one of the great Australian writers of the twentieth century. After a revived in...
Christina Stead (1902–1983) was an Australian novelist and short-story writer acclaimed for her sati...
Christina Stead is a modernist whose life and art are profoundly informed by socialism. Chapter I de...
This essay seeks to modify the notion of Stead as an intrepid, forthright writer, as well as to cont...
[Extract]Christina Stead was, as Jose Yglesias rightly highlighted in 1965, a product of the 1930s-i...
The fiction of Christina Stead ( 1902-83) is at last receiving something of its proper recognition a...
Christina Stead, who came of age as a writer in the 1930s, enjoyed trans-Atlantic fame before the o...
Readers and scholars routinely recognise a certain unpleasant and repellent quality in the fiction o...
Examining the late style of a writer is like skirting around quicksand. End-of-career reflection ca...
This essay analyzes how the literary modes of realism and modernism coexist and interact in Christin...
Thesis (PhD)--Macquarie University, School of English, Linguistics and Media, 1997.Bibliography: p. ...
Examining the late style of a writer is like skirting around quicksand. End-of-career reflection can...
The paper considers the world within that Stead brought to her first novel, made up from a wide rang...
This paper will examine the ultimately incommensurable divide between the listening ear and speaking...