Ron McBurnie’s, “Romantic etchings: in the tradition of Samuel Palmer and the Ancients” continues to follow the artists interest in the theme of British Pastoral romanticism. The exhibition pays homage to the group of printmakers that aligned themselves round William Blake and Samuel Palmer and the great tradition of pastoral printmakers (such at Paul Drury, Robin Tanner and Graeme Sutherland) who followed in the early part of the 20th Century. The etchings in the exhibition pay homage to the British pastoral romantic tradition but acknowledge the different and distinct nature of the Australian landscape
This work explores the creative processes of the American-born artist, James McNeill Whistler (1834-...
Richard Fozard’s fine engravings and etchings present a potent vision of landscape. He was an indivi...
© 1982 Mary Alice LeeThis thesis was completed in the Department of Fine Arts.Jessie C. A. Traill, ...
Ron McBurnie’s, “Romantic etchings: in the tradition of Samuel Palmer and the Ancients” continues to...
Ron McBurnie’s “Chasing Palmer” is an exhibition of etchings influenced by the great Romantic printm...
This exhibition consists of highlights of British prints from the collection of Australian artist pr...
[Extract] 'Metal As Anything' is a survey exhibition showcasing thirty years of diverse and intricat...
Chapter for book accompanying National Galleries of Scotland exhibition about the work of Rembrandt ...
Commissioned by and staged at the Royal Academy of Arts, London, the exhibition Second Nature: The P...
The media release for Australia, the 2013 exhibition at the Royal Academy, proudly proclaimed that i...
This study is comprised of a written exegesis and a folio of paintings and drawings. It explores the...
Title from inscription below image.; Inscription: "Lionel Lindsay. Romantic Garden 1922"--In pencil ...
The change from symbolism to imitative art in the late medieval period, and the confirmation of this...
'Wave Forms' are a group of paintings derived from photographs of the sea. These images are taken fr...
Out of the Shadows: The Mezzotints of Graeme Peebles investigates Victorian printmaker Graeme Peeble...
This work explores the creative processes of the American-born artist, James McNeill Whistler (1834-...
Richard Fozard’s fine engravings and etchings present a potent vision of landscape. He was an indivi...
© 1982 Mary Alice LeeThis thesis was completed in the Department of Fine Arts.Jessie C. A. Traill, ...
Ron McBurnie’s, “Romantic etchings: in the tradition of Samuel Palmer and the Ancients” continues to...
Ron McBurnie’s “Chasing Palmer” is an exhibition of etchings influenced by the great Romantic printm...
This exhibition consists of highlights of British prints from the collection of Australian artist pr...
[Extract] 'Metal As Anything' is a survey exhibition showcasing thirty years of diverse and intricat...
Chapter for book accompanying National Galleries of Scotland exhibition about the work of Rembrandt ...
Commissioned by and staged at the Royal Academy of Arts, London, the exhibition Second Nature: The P...
The media release for Australia, the 2013 exhibition at the Royal Academy, proudly proclaimed that i...
This study is comprised of a written exegesis and a folio of paintings and drawings. It explores the...
Title from inscription below image.; Inscription: "Lionel Lindsay. Romantic Garden 1922"--In pencil ...
The change from symbolism to imitative art in the late medieval period, and the confirmation of this...
'Wave Forms' are a group of paintings derived from photographs of the sea. These images are taken fr...
Out of the Shadows: The Mezzotints of Graeme Peebles investigates Victorian printmaker Graeme Peeble...
This work explores the creative processes of the American-born artist, James McNeill Whistler (1834-...
Richard Fozard’s fine engravings and etchings present a potent vision of landscape. He was an indivi...
© 1982 Mary Alice LeeThis thesis was completed in the Department of Fine Arts.Jessie C. A. Traill, ...