This chapter argues that Beckett’s dramas written for television (from Eh Joe in 1966 to Nacht und Traume in 1983) work as reflexive analyses of television technology’s uneasy position as an “old” and also a “new” medium. The history of television can be written by describing processes of co-option of aesthetic features and processes deriving from “old” media, like theatre and figurative painting, which are visible in Beckett’s staging of dramatic action and TV image composition, for example. But television also works through its differentiation from antecedent or competing media, its diversification into a wide range of genres, modes and forms, and its repudiation of features associated with its competitors. These aspects are visible in th...
Television was the key popular medium of the second half of the twentieth century in the UK, and Sam...
This article responds to scholarship on Beckett’s television plays that regards them as positive int...
Abstract: Samuel Beckett\u2019s radio play 'Words and Music' has drawn radically different responses...
This chapter analyses the aesthetics of Beckett’s dramas for TV, in relation to theorisations of the...
Featuring twelve original essays by leading Beckett scholars and media theorists, this book provides...
In Voice, Image, Television: Beckett’s Divided Screens Julian Murphet makes the case for a ‘modernis...
This essay investigates the role of the media in Samuel Beckett’s oeuvre, focusing in particular on ...
This article analyses tensions between medium specificity and intermediality in Beckett’s first orig...
This chapter approaches the topic of voice in three distinct but interrelated ways, adopting the ter...
The article offers a new approach for the exploration of media and television studies by extracting ...
IN ENGLISH The primary concern of this thesis is to explore the instances of incorporation of media-...
In this dissertation, Stage, Body, Text: Beckett\u27s and Weiss\u27s Theaters of Embodiment, I com...
The final decades of the nineteenth century and the first decades of the twentieth century saw the i...
Television remains one of today’s most captivating and popular media. As such, its cultural signific...
Samuel Beckett and the Language of Subjectivity is a groundbreaking study of how Beckett’s prose and...
Television was the key popular medium of the second half of the twentieth century in the UK, and Sam...
This article responds to scholarship on Beckett’s television plays that regards them as positive int...
Abstract: Samuel Beckett\u2019s radio play 'Words and Music' has drawn radically different responses...
This chapter analyses the aesthetics of Beckett’s dramas for TV, in relation to theorisations of the...
Featuring twelve original essays by leading Beckett scholars and media theorists, this book provides...
In Voice, Image, Television: Beckett’s Divided Screens Julian Murphet makes the case for a ‘modernis...
This essay investigates the role of the media in Samuel Beckett’s oeuvre, focusing in particular on ...
This article analyses tensions between medium specificity and intermediality in Beckett’s first orig...
This chapter approaches the topic of voice in three distinct but interrelated ways, adopting the ter...
The article offers a new approach for the exploration of media and television studies by extracting ...
IN ENGLISH The primary concern of this thesis is to explore the instances of incorporation of media-...
In this dissertation, Stage, Body, Text: Beckett\u27s and Weiss\u27s Theaters of Embodiment, I com...
The final decades of the nineteenth century and the first decades of the twentieth century saw the i...
Television remains one of today’s most captivating and popular media. As such, its cultural signific...
Samuel Beckett and the Language of Subjectivity is a groundbreaking study of how Beckett’s prose and...
Television was the key popular medium of the second half of the twentieth century in the UK, and Sam...
This article responds to scholarship on Beckett’s television plays that regards them as positive int...
Abstract: Samuel Beckett\u2019s radio play 'Words and Music' has drawn radically different responses...