La fotografía digital como una estética sociotécnica: el caso de la Iphoneografía; Digital Photography As Sociotechnical Aesthetics: The Case Of The Iphoneography

Summary · outline a research agenda that stands as a continuation of a proposed redefinition of photography, from the social science as an object of study beyond their representational or semiotic character is presented. The proposal is based on the findings of a study on photographic practices that used the ethnographic method. The first part presents the theoretical framework, discussing photography as representation and reformulating their materiality, use and technologies to define it as a socio-technical network that becomes visible in practice. The second part describes the relationship between photography and the establishment of an aesthetic proposal through practices that constitute, then focus on iPhoneography. Finally, questions are set