Country Editor for Australia: Madeline Taylor (QUT) World Scenography 1990-2005 is the second volume of the World Scenography book series. Documenting significant theatre designs from 1990 to 2005, this volume has involved more than a hundred contributors, experts, and regional editors, led by 2014 Golden Pen Award-receiving editors Eric Fielding and Peter McKinnon. More than 400 theatre designs from 55 countries, including set, costume, and lighting, are featured in this volumn. The World Scenography book series was inspired by and seeks to build on the foundation established by the four volumes of Stage Design Throughout the World that were edited by Belgian professor René Hainaux. Sadly, that wonderful series ended its documentation and ...
Over the past decade, researchers at QUT have been experimenting with the use of an ecological appro...
Scenography is the most eloquent visual aspect of the theatre. It involves situating a performance w...
This chapter argues that the modernization of design in Irish theatre can be linked to progressive m...
Country Editor for Australia: Madeline Taylor (QUT) \ud \ud \ud World Scenography 1990-2005 is the s...
A lavishly illustrated record of the work of major theatre designers from across the world; designer...
This special edition is a place to promote Australian scenographic practice, theory and research and...
Farley was invited by the Director of World Stage Design 2013 and OISTAT (International Organisation...
An introduction to the dynamic field of performance design in and beyond the theatre, with analysis ...
Conference paper at the Transformations of the Prague Quadrennial Symposium Abstract: This pap...
As the Prague Quadrennial of Performance Design and Space 2019 (PQ19) drew to a close Australian des...
The Prague Quadrennial of Performance Design and Space represents the largest international gatherin...
Contemporary scenography is a crafting of material and technological stagecrafts that orientates pe...
Despite scenography’s role in the construction of Ireland as lived on the stage, its documentation i...
In the form of a visual essay, this reflection charts a course through eight specific moment in Aust...
© 2019 Taylor & Francis. All rights reserved. The third edition of Pamela Howard's What is Scenogr...
Over the past decade, researchers at QUT have been experimenting with the use of an ecological appro...
Scenography is the most eloquent visual aspect of the theatre. It involves situating a performance w...
This chapter argues that the modernization of design in Irish theatre can be linked to progressive m...
Country Editor for Australia: Madeline Taylor (QUT) \ud \ud \ud World Scenography 1990-2005 is the s...
A lavishly illustrated record of the work of major theatre designers from across the world; designer...
This special edition is a place to promote Australian scenographic practice, theory and research and...
Farley was invited by the Director of World Stage Design 2013 and OISTAT (International Organisation...
An introduction to the dynamic field of performance design in and beyond the theatre, with analysis ...
Conference paper at the Transformations of the Prague Quadrennial Symposium Abstract: This pap...
As the Prague Quadrennial of Performance Design and Space 2019 (PQ19) drew to a close Australian des...
The Prague Quadrennial of Performance Design and Space represents the largest international gatherin...
Contemporary scenography is a crafting of material and technological stagecrafts that orientates pe...
Despite scenography’s role in the construction of Ireland as lived on the stage, its documentation i...
In the form of a visual essay, this reflection charts a course through eight specific moment in Aust...
© 2019 Taylor & Francis. All rights reserved. The third edition of Pamela Howard's What is Scenogr...
Over the past decade, researchers at QUT have been experimenting with the use of an ecological appro...
Scenography is the most eloquent visual aspect of the theatre. It involves situating a performance w...
This chapter argues that the modernization of design in Irish theatre can be linked to progressive m...