The following paper explores the provenance, typology, and significance of the pre-Actium Type portraits of Augustus Caesar. These types are the Béziers-Spoleto Type, Lucus Feroniae Type, and Type B. The provenance, when available, is traced to the location of origin and analyzed in historical context. A detailed typological analysis is offered for each type with a focus on Stirnlockenanalyse. Deviations from the ideal model are addressed and evaluated. Finally, the significance of the three types is reevaluated in light of the provenance and new typological analysis.Art Histor
Augustus, the first Roman Emperor, holds a specific place within any discussion of Roman portraiture...
This thesis aims to explain the influence that art of the classical world extended on future periods...
Dans cette étude, nous examinons le développement du portrait peint à l’époque hellénistique et roma...
The article examines the fourth and final portrait type of Marcus Aurelius. A date of A.D. 166 for i...
Case studies of Faustina the Youngerâs and Marcus Aureliusâ portraits on coins and in sculpture demo...
The portrait is regarded as a Roman invention. Facial features of many Romans come down to us throug...
Two damaged and partially restored Roman portraits in the collection of the British Museum, previous...
The freestanding bust consists of a head, neck, shoulders, and chest raised up from its resting surf...
This article focuses on the three marble portraits of Augustus, Livia and Tiberius, nowadays display...
This 19th century bust represents the first and most lauded Roman Emperor, Augustus (reign, 27 BCE-1...
This bachelor thesis deals with the portraits of emperors and their wifes in free-standing sculpture...
This thesis deals with portraiture of roman emperors on their statues and coins during the 3rd and 4...
The marble provenance of 163 Roman Imperial portraits, stretching approximately over 500 years, has ...
Contains fulltext : 134614.pdf (publisher's version ) (Open Access)Within the disc...
Portraits of a group of thirty kosmētai, public philosophy teachers in Athens, were found among the ...
Augustus, the first Roman Emperor, holds a specific place within any discussion of Roman portraiture...
This thesis aims to explain the influence that art of the classical world extended on future periods...
Dans cette étude, nous examinons le développement du portrait peint à l’époque hellénistique et roma...
The article examines the fourth and final portrait type of Marcus Aurelius. A date of A.D. 166 for i...
Case studies of Faustina the Youngerâs and Marcus Aureliusâ portraits on coins and in sculpture demo...
The portrait is regarded as a Roman invention. Facial features of many Romans come down to us throug...
Two damaged and partially restored Roman portraits in the collection of the British Museum, previous...
The freestanding bust consists of a head, neck, shoulders, and chest raised up from its resting surf...
This article focuses on the three marble portraits of Augustus, Livia and Tiberius, nowadays display...
This 19th century bust represents the first and most lauded Roman Emperor, Augustus (reign, 27 BCE-1...
This bachelor thesis deals with the portraits of emperors and their wifes in free-standing sculpture...
This thesis deals with portraiture of roman emperors on their statues and coins during the 3rd and 4...
The marble provenance of 163 Roman Imperial portraits, stretching approximately over 500 years, has ...
Contains fulltext : 134614.pdf (publisher's version ) (Open Access)Within the disc...
Portraits of a group of thirty kosmētai, public philosophy teachers in Athens, were found among the ...
Augustus, the first Roman Emperor, holds a specific place within any discussion of Roman portraiture...
This thesis aims to explain the influence that art of the classical world extended on future periods...
Dans cette étude, nous examinons le développement du portrait peint à l’époque hellénistique et roma...