The symphony has long been considered the paramount compositional achievement since its birth in the eighteenth century, and continues to be a common tool for freedom of artistic expression among composers. Symphony No. 2 is a continuation of my exploration of more complex motivic and harmonic relationships within a freely unfolding musical structure. Continuous from start to finish, it is divided into three symbiotically dependent sections, similar to movements but without a pause in-between. The first section is slow and serves primarily as a prologue with pastoral undertones, introducing many of the primary motives that glue the work together. The second section is the heart of the work and features two energetic and contrasting theme gr...