This project interrogates stand-up comedian Margaret Cho’s queer community-building and cross-identification with her queer fans through her performance of sexual and racial stereotypes, including the fag hag, the Asian American immigrant, and the black drag queen. A close look at Cho’s work in this respect reveals the efficacy, limitations, and risks of the performance of stereotypes, as well as stand-up comedy and popular entertainment in general, in serving as a site that promotes community-building and challenges sexual, racial, gender, and class oppressions.Theatre and Danc
Through a close analysis of rape jokes from mainstream American comedy, my thesis focuses on the way...
Consumers have become attracted to "exotic" or culturally related trends. By extracting and consumin...
I recently travelled to New York City to tour the archives of a small theatre company called La Mam...
This project interrogates stand-up comedian Margaret Cho’s queer community-building and cross-identi...
Despite the long history of stand-up comedy as a distinct form of popular entertainment, there has b...
After 1994, the South African stand-up comedy scene was dominated, shaped and defined by men. Stand-...
thesisSince its origins in the vaudeville tradition, the rhetoric of standup comedy has reproduced l...
This project reveals Korean American student opinions and responses to the comedy of Korean American...
In this dissertation I examine how stand-up comedians challenge racism and sexism in their performan...
Over the past few decades, drag queen shows have become a popular sensation among men and women, hom...
Conference Theme: Beyond the Culture IndustryPanel 5: LGBTS in Popular DiscourseThis presentation ai...
In my cabaret solo show your best (asian) american girl, I leverage and unpack the story of my exper...
Subcultures within the queer community have formed around drag show events, especially amongst perfo...
This chapter explores the entanglement and tension between the desire of queer and struggle with nor...
This thesis is an exploration of drag king performance through the lens of third wave feminism and C...
Through a close analysis of rape jokes from mainstream American comedy, my thesis focuses on the way...
Consumers have become attracted to "exotic" or culturally related trends. By extracting and consumin...
I recently travelled to New York City to tour the archives of a small theatre company called La Mam...
This project interrogates stand-up comedian Margaret Cho’s queer community-building and cross-identi...
Despite the long history of stand-up comedy as a distinct form of popular entertainment, there has b...
After 1994, the South African stand-up comedy scene was dominated, shaped and defined by men. Stand-...
thesisSince its origins in the vaudeville tradition, the rhetoric of standup comedy has reproduced l...
This project reveals Korean American student opinions and responses to the comedy of Korean American...
In this dissertation I examine how stand-up comedians challenge racism and sexism in their performan...
Over the past few decades, drag queen shows have become a popular sensation among men and women, hom...
Conference Theme: Beyond the Culture IndustryPanel 5: LGBTS in Popular DiscourseThis presentation ai...
In my cabaret solo show your best (asian) american girl, I leverage and unpack the story of my exper...
Subcultures within the queer community have formed around drag show events, especially amongst perfo...
This chapter explores the entanglement and tension between the desire of queer and struggle with nor...
This thesis is an exploration of drag king performance through the lens of third wave feminism and C...
Through a close analysis of rape jokes from mainstream American comedy, my thesis focuses on the way...
Consumers have become attracted to "exotic" or culturally related trends. By extracting and consumin...
I recently travelled to New York City to tour the archives of a small theatre company called La Mam...