Add to ORKGBringing together exciting new interdisciplinary work from emerging and established scholars in the UK and beyond, Litpop addresses the question: how has writing past and present been influenced by popular music, and vice versa
In music, two objects can be owned – the composition (sometimes including a lyric as a ‘literary wor...
Publisher's description of book: The Bloomsbury Encyclopedia of Popular Music Volume 8 is one of s...
Building on Philip Tagg’s timely intervention (2011), I investigate four things in relation to three...
Bringing together exciting new interdisciplinary work from emerging and established scholars in the ...
The global phenomenon of popular music from the middle of the twentieth century on played a pivotal ...
This essay explores three approaches to “musical writing” from a course called “Writing About Popula...
Theoretical thesis.Bibliography: pages 180-194.1. Literature review and methodology -- 2. “Producing...
Commissioned for a symposium on copyright law and the creation of music, this article explores five ...
Exploring the interactions between Shakespeare and popular music, this book links these seeming pola...
Originality is an important social and cultural value. In pop music its influence is comprehensive:...
In light of current disciplinary shifts toward digital media and multi-modal textual analysis, this ...
This chapter tries to reread, or to hear again, examples of the ways popular music has been used in ...
Song form, structure, function and ideology are culturally and genre specific. Boiled down to its mo...
Song form, structure, function and ideology are culturally and genre specific. Boiled down to its mo...
Song form, structure, function and ideology are culturally and genre specific. Boiled down to its mo...
In music, two objects can be owned – the composition (sometimes including a lyric as a ‘literary wor...
Publisher's description of book: The Bloomsbury Encyclopedia of Popular Music Volume 8 is one of s...
Building on Philip Tagg’s timely intervention (2011), I investigate four things in relation to three...
Bringing together exciting new interdisciplinary work from emerging and established scholars in the ...
The global phenomenon of popular music from the middle of the twentieth century on played a pivotal ...
This essay explores three approaches to “musical writing” from a course called “Writing About Popula...
Theoretical thesis.Bibliography: pages 180-194.1. Literature review and methodology -- 2. “Producing...
Commissioned for a symposium on copyright law and the creation of music, this article explores five ...
Exploring the interactions between Shakespeare and popular music, this book links these seeming pola...
Originality is an important social and cultural value. In pop music its influence is comprehensive:...
In light of current disciplinary shifts toward digital media and multi-modal textual analysis, this ...
This chapter tries to reread, or to hear again, examples of the ways popular music has been used in ...
Song form, structure, function and ideology are culturally and genre specific. Boiled down to its mo...
Song form, structure, function and ideology are culturally and genre specific. Boiled down to its mo...
Song form, structure, function and ideology are culturally and genre specific. Boiled down to its mo...
In music, two objects can be owned – the composition (sometimes including a lyric as a ‘literary wor...
Publisher's description of book: The Bloomsbury Encyclopedia of Popular Music Volume 8 is one of s...
Building on Philip Tagg’s timely intervention (2011), I investigate four things in relation to three...