When Lev Dodin and the Maly Drama Theatre travelled to Britain in 1988, performing Stars in the Morning Sky at the London International Festival of Theatre (LIFT), it was their first tour abroad. Since then, this repertory ensemble has had an enormous impact on audiences across the world because of its powerful artistry, sustained by the unique training methods, emotional and philosophical as much as technical, developed by Dodin and his collaborators. This article is an account of the three productions directed by Dodin since King Lear (St Petersburg, March 2006, and performed at the Barbican in London in October that year). They are Life and Fate (2007) after the novel by Vasily Grossman, Long Day's Journey into Night (2008) by Eugene O'N...
The thesis is divided into three chapters. Chapter One deals with an analysis of Long Day's Journey ...
The article deals with the first edition of the Verona Shakespeare Fringe Festival. It gives an acco...
The New Globe 2015 performance of The Merchant of Venice made a very dark comedy of a so called ‘rom...
One of Russia's foremost theatre directors, Valery Fokin graduated from the Shchukin School at the V...
This article explores the role of new writing within two contemporary Shakespearean institutions, th...
This article explores the role of new writing within two contemporary Shakespearean institutions, th...
The production of Twelfth Night was Habimah´s first production of Shakespeare and the first comedy i...
The first decades of the new millennium have seen an odd return to origins in Shakespeare studies. T...
Proceeding volume: 24The production of Twelfth Night was Habimah´s first production of Shakespeare a...
The following article is an attempt at looking at the modern appropriations of Shakespeare’s King Le...
The article focuses on the production of film director Eugene O'Neill with the "Long Day's Journey i...
This article considers contemporary trends in classical theatre and performance through the lens of ...
The focus of this article is the new opera by Sergei Slonimsky, King Lear, based on the Shakespeare'...
International audienceThis article discusses Aribert Reimann’s opera Lear. The Opera was premiered, ...
This article explores the role of new writing within two contemporary Shakespearean institutions, t...
The thesis is divided into three chapters. Chapter One deals with an analysis of Long Day's Journey ...
The article deals with the first edition of the Verona Shakespeare Fringe Festival. It gives an acco...
The New Globe 2015 performance of The Merchant of Venice made a very dark comedy of a so called ‘rom...
One of Russia's foremost theatre directors, Valery Fokin graduated from the Shchukin School at the V...
This article explores the role of new writing within two contemporary Shakespearean institutions, th...
This article explores the role of new writing within two contemporary Shakespearean institutions, th...
The production of Twelfth Night was Habimah´s first production of Shakespeare and the first comedy i...
The first decades of the new millennium have seen an odd return to origins in Shakespeare studies. T...
Proceeding volume: 24The production of Twelfth Night was Habimah´s first production of Shakespeare a...
The following article is an attempt at looking at the modern appropriations of Shakespeare’s King Le...
The article focuses on the production of film director Eugene O'Neill with the "Long Day's Journey i...
This article considers contemporary trends in classical theatre and performance through the lens of ...
The focus of this article is the new opera by Sergei Slonimsky, King Lear, based on the Shakespeare'...
International audienceThis article discusses Aribert Reimann’s opera Lear. The Opera was premiered, ...
This article explores the role of new writing within two contemporary Shakespearean institutions, t...
The thesis is divided into three chapters. Chapter One deals with an analysis of Long Day's Journey ...
The article deals with the first edition of the Verona Shakespeare Fringe Festival. It gives an acco...
The New Globe 2015 performance of The Merchant of Venice made a very dark comedy of a so called ‘rom...