Publication date
January 1976
DOI Publisher
JSTOR ISSN
0022-4294 Journal
Journal of Research in Music Education Language
EnglishAbstract
Peer Reviewedhttp://deepblue.lib.umich.edu/bitstream/2027.42/68777/2/10.2307_3345131.pd
Peer Reviewedhttp://deepblue.lib.umich.edu/bitstream/2027.42/68777/2/10.2307_3345131.pd
The purpose of this study is to provide an overview of contemporary flute repertoire by Canadian com...
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Between 1933 and 1948, approximately 4 000 Jewish individuals fled from Nazi and Communist regimes i...
Music education in Canada is a vast enterprise that encompasses teaching and learning in thousands o...
During the decade between 1940 and 1950, the composers in Canada began to express themselves through...
This article begins with a brief history of the John Adaskin Project and how the Canadian Music Educ...
The work of the John Adaskin Project is described in this 1986 article. Shand explains the origins o...
Canada and the Canadian University Music Review have proved fertile grounds for the development of p...
A review of a book published by Symétrie in 2014 on 20th century theories of musical composition
Contemporary Canadian pieces are performed and studied infrequently in school music programs due to ...
In this article the author reflects on musical life in Canada, drawing on experiential perspectives ...
Sir Alexander Campbell Mackenzie and the Royal Academy of Music, London Opportunity and Ambition Val...
Book review: Charles Mackerras, edited by Nigel Simeone and John Tyrrell. Suffolk: Boydell and Brew...
The purpose of this study is to provide an overview of contemporary flute repertoire by Canadian com...
The complexities of contemporary American music have forced critics to act as educators and mediator...
Music in Canada Edward MacDowell as a Teacher of Pianoforte: How the Most Eminent of American Compos...
First published in 1997, Music Papers: Articles and Talks By a Canadian Composer, 1961 – 1994 is wri...
Between 1933 and 1948, approximately 4 000 Jewish individuals fled from Nazi and Communist regimes i...
Music education in Canada is a vast enterprise that encompasses teaching and learning in thousands o...
During the decade between 1940 and 1950, the composers in Canada began to express themselves through...
This article begins with a brief history of the John Adaskin Project and how the Canadian Music Educ...
The work of the John Adaskin Project is described in this 1986 article. Shand explains the origins o...
Canada and the Canadian University Music Review have proved fertile grounds for the development of p...
A review of a book published by Symétrie in 2014 on 20th century theories of musical composition
Contemporary Canadian pieces are performed and studied infrequently in school music programs due to ...
In this article the author reflects on musical life in Canada, drawing on experiential perspectives ...
Sir Alexander Campbell Mackenzie and the Royal Academy of Music, London Opportunity and Ambition Val...
Book review: Charles Mackerras, edited by Nigel Simeone and John Tyrrell. Suffolk: Boydell and Brew...
The purpose of this study is to provide an overview of contemporary flute repertoire by Canadian com...
The complexities of contemporary American music have forced critics to act as educators and mediator...
Music in Canada Edward MacDowell as a Teacher of Pianoforte: How the Most Eminent of American Compos...
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