Effects of a change in instrumentation on the recognition of musical materials

Distortion products and the perceived pitch of harmonic complex tones

Pressnitzer, Daniel
Patterson, R. D.

January 2001

cote interne IRCAM: Pressnitzer01b/National audienceDistortion products and the perceived pitch of h...

Virtual musical instruments : Contribution to physical modeling and control of self-sustained instruments

Hélie, Thomas
Vergez, Christophe
Rodet, Xavier

January 2001

cote interne IRCAM: Helie01aNone / NoneNational audienceVirtual musical instruments : Contribution t...

On some musical applications of Ircam’s “Mathematical School for Musicians and other Non-Mathematicians”

Agon, Carlos
Andreatta, Moreno

May 2007

cote interne IRCAM: Agon07cNone / NoneNational audienceOn some musical applications of Ircam’s “Math...

Perceptual effects of simplifying musical instrument sound time-frequency representations

Beauchamp, James
McAdams, Stephen
Meneguzzi, Suzanne

January 1997

cote interne IRCAM: Beauchamp97a/National audiencePerceptual effects of simplifying musical instrume...

Perception of musical similarity among contemporary thematic materials in two instrumentations

McAdams, Stephen
Veillard, Sandrine
HOUIX, Olivier
Reynolds, Roger

January 2004

cote interne IRCAM: McAdams04hNone / NoneNational audiencePerception of musical similarity among con...

Performance and musical perception analysis

Ayari, Mondher

August 2006

cote interne IRCAM: Ayari06bNone / NoneNational audiencePerformance and musical perception analysi

Instruments de musicologie

Donin, Nicolas

January 2005

cote interne IRCAM: Donin05aNone / NoneNational audienceVersion remaniée de la conférence donnée sou...

Emotional reactions to the manipulation of a sonically augmented interactive device

Lemaitre, Guillaume
HOUIX, Olivier
Misdariis, Nicolas
Susini, Patrick

January 2009

cote interne IRCAM: Lemaitre09gNone / NoneNational audienceEmotional reactions to the manipulation o...

Effects of a Change in Instrumentation on the Recognition of Musical Materials

Poulin-Charronnat, Bénédicte
Bigand, Emmanuel
Lalitte, Philippe
Madurell, François
Vieillard, Sandrine
McAdams, Stephen

January 2018

The present study investigates the effect of a change in instrumentation on the recognition of music...

Sound Analysis, processing and synthesis tools for music research and production

Rodet, Xavier

September 2000

cote interne IRCAM: Rodet00aNone / NoneNational audienceSound Analysis, processing and synthesis too...

m5809 Result of Audio CE on Timbre Similarity

Herrera, Perfecto
Amatrian, Xavier
Peeters, Geoffroy

January 2000

cote interne IRCAM: Herrera00aNone / NoneNational audiencem5809 Result of Audio CE on Timbre Similar...

Instruments de musique virtuels et modélisations physiques

Causse, René

January 2006

cote interne IRCAM: Causse06aNone / NoneNational audienceDe tout temps, les instruments de musique o...

On the choice of transducer technologies for specific musical functions

Wanderley, Marcelo M.
Viollet, Jean-Philippe
Isart, Fabrice
Rodet, Xavier

September 2000

cote interne IRCAM: Wanderley00a/National audienceOn the choice of transducer technologies for speci...

The functional anatomy of sound intensity change detection

Belin, Pascal
Smith, Bennett K.
Thivard, Lionel
Savel, Sophie
Samson, Séverine
Samson, Yves

January 1997

cote interne IRCAM: Belin97a/National audienceThe functional anatomy of sound intensity change detec...

Perception of the timbre of car horns

Lemaitre, Guillaume
Susini, Patrick
Winsberg, Suzanne
McAdams, Stephen

January 2002

cote interne IRCAM: Lemaitre02aNone / NoneNational audiencePerception of the timbre of car horn

Distortion products and the perceived pitch of harmonic complex tones

Pressnitzer, Daniel
Patterson, R. D.

January 2001

cote interne IRCAM: Pressnitzer01b/National audienceDistortion products and the perceived pitch of h...

Virtual musical instruments : Contribution to physical modeling and control of self-sustained instruments

Hélie, Thomas
Vergez, Christophe
Rodet, Xavier

January 2001

cote interne IRCAM: Helie01aNone / NoneNational audienceVirtual musical instruments : Contribution t...

On some musical applications of Ircam’s “Mathematical School for Musicians and other Non-Mathematicians”

Agon, Carlos
Andreatta, Moreno

May 2007

cote interne IRCAM: Agon07cNone / NoneNational audienceOn some musical applications of Ircam’s “Math...

Perceptual effects of simplifying musical instrument sound time-frequency representations

Beauchamp, James
McAdams, Stephen
Meneguzzi, Suzanne

January 1997

cote interne IRCAM: Beauchamp97a/National audiencePerceptual effects of simplifying musical instrume...

Perception of musical similarity among contemporary thematic materials in two instrumentations

McAdams, Stephen
Veillard, Sandrine
HOUIX, Olivier
Reynolds, Roger

January 2004

cote interne IRCAM: McAdams04hNone / NoneNational audiencePerception of musical similarity among con...

Performance and musical perception analysis

Ayari, Mondher

August 2006

cote interne IRCAM: Ayari06bNone / NoneNational audiencePerformance and musical perception analysi

Instruments de musicologie

Donin, Nicolas

January 2005

cote interne IRCAM: Donin05aNone / NoneNational audienceVersion remaniée de la conférence donnée sou...

Emotional reactions to the manipulation of a sonically augmented interactive device

Lemaitre, Guillaume
HOUIX, Olivier
Misdariis, Nicolas
Susini, Patrick

January 2009

cote interne IRCAM: Lemaitre09gNone / NoneNational audienceEmotional reactions to the manipulation o...

Effects of a Change in Instrumentation on the Recognition of Musical Materials

Poulin-Charronnat, Bénédicte
Bigand, Emmanuel
Lalitte, Philippe
Madurell, François
Vieillard, Sandrine
McAdams, Stephen

January 2018

The present study investigates the effect of a change in instrumentation on the recognition of music...

Sound Analysis, processing and synthesis tools for music research and production

Rodet, Xavier

September 2000

cote interne IRCAM: Rodet00aNone / NoneNational audienceSound Analysis, processing and synthesis too...

m5809 Result of Audio CE on Timbre Similarity

Herrera, Perfecto
Amatrian, Xavier
Peeters, Geoffroy

January 2000

cote interne IRCAM: Herrera00aNone / NoneNational audiencem5809 Result of Audio CE on Timbre Similar...

Instruments de musique virtuels et modélisations physiques

Causse, René

January 2006

cote interne IRCAM: Causse06aNone / NoneNational audienceDe tout temps, les instruments de musique o...

On the choice of transducer technologies for specific musical functions

Wanderley, Marcelo M.
Viollet, Jean-Philippe
Isart, Fabrice
Rodet, Xavier

September 2000

cote interne IRCAM: Wanderley00a/National audienceOn the choice of transducer technologies for speci...

The functional anatomy of sound intensity change detection

Belin, Pascal
Smith, Bennett K.
Thivard, Lionel
Savel, Sophie
Samson, Séverine
Samson, Yves

January 1997

cote interne IRCAM: Belin97a/National audienceThe functional anatomy of sound intensity change detec...

Perception of the timbre of car horns

Lemaitre, Guillaume
Susini, Patrick
Winsberg, Suzanne
McAdams, Stephen

January 2002

cote interne IRCAM: Lemaitre02aNone / NoneNational audiencePerception of the timbre of car horn

Distortion products and the perceived pitch of harmonic complex tones

Pressnitzer, Daniel
Patterson, R. D.

January 2001

cote interne IRCAM: Pressnitzer01b/National audienceDistortion products and the perceived pitch of h...

Virtual musical instruments : Contribution to physical modeling and control of self-sustained instruments

Hélie, Thomas
Vergez, Christophe
Rodet, Xavier

January 2001

cote interne IRCAM: Helie01aNone / NoneNational audienceVirtual musical instruments : Contribution t...

On some musical applications of Ircam’s “Mathematical School for Musicians and other Non-Mathematicians”

Agon, Carlos
Andreatta, Moreno

May 2007

cote interne IRCAM: Agon07cNone / NoneNational audienceOn some musical applications of Ircam’s “Math...

Effects of a change in instrumentation on the recognition of musical materials

Abstract

Extracted data

Effects of a change in instrumentation on the recognition of musical materials

Abstract

Extracted data

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