Unfolding the critical

Something about a kind of breakpoint, between art and reality, between art and politics. The frames - in a figurative sense - what they consist of, what happens in the gap between art and life? A political art means something rarely off his art, the course can be viewed and purchased both of them the fault, its radicalism remains in effect. The framework seems too broad, over-saturated, fat. (Introduction to the issue by Ulrike Stahre, guest editor)