Following the spirit of Walter Benjamin’s Arcades Project, this volume acts as a kaleidoscope of change in the 21st century, tracing its different reflections in the international contemporary while seeking to understand both individual and collective reactions and adjustments to change through a series of questions: Is there something significantly different about the way in which ‘change’ occurs in the 21st century?; Is change mainly reflected in the material and visual environment surrounding us or someplace else?; What are the sensibilities through which we perceive change, and more importantly, have those sensibilities been increased or dulled by modern technology
“Brevity ” epitomizes Walter Benjamin's One-Way Street, an avant-garde text composed entirely o...
In “The Work of Art in the Age of Mechanical Reproduction” (1968), Walter Benjamin proposed that tec...
Much like Walter Benjamin's analysis of the Parisian arcades during the interwar years of the early ...
The formative years of 20th century modernism were all about speed: the speed of progress, the rapid...
What could be more topical than a book on the auratic character of contemporary existence? We live i...
In 1936, Walter Benjamin (1892-1940) accounted for the paradigm shift that mechanical reproduction m...
In this article I argue that the theories of Walter Benjamin about technology may help us to underst...
Few twentieth-century thinkers have proven as influential as Walter Benjamin, the German-Jewish phil...
This contribution is the audio recording of a talk that Jaeho Kang gave at the University of Westmin...
Just as a child who has learned to grasp stretches out its hand for the moon as it would for a ball,...
Part I of this essay will examine how the interplay between philosophy and art over the past century...
The 20th century was an age of transition. In the field of aesthetics we witness a shift from clearl...
Called “the most important critic of his time” by Hannah Arendt, Walter Benjamin (1892-1940) has bec...
As Walter Benjamin described in his famous essay, "The Work of Art in the Age of Mechanical Rep...
Last time we tried to organize ideas for this article around “The Work of Art in the Age of its Mech...
“Brevity ” epitomizes Walter Benjamin's One-Way Street, an avant-garde text composed entirely o...
In “The Work of Art in the Age of Mechanical Reproduction” (1968), Walter Benjamin proposed that tec...
Much like Walter Benjamin's analysis of the Parisian arcades during the interwar years of the early ...
The formative years of 20th century modernism were all about speed: the speed of progress, the rapid...
What could be more topical than a book on the auratic character of contemporary existence? We live i...
In 1936, Walter Benjamin (1892-1940) accounted for the paradigm shift that mechanical reproduction m...
In this article I argue that the theories of Walter Benjamin about technology may help us to underst...
Few twentieth-century thinkers have proven as influential as Walter Benjamin, the German-Jewish phil...
This contribution is the audio recording of a talk that Jaeho Kang gave at the University of Westmin...
Just as a child who has learned to grasp stretches out its hand for the moon as it would for a ball,...
Part I of this essay will examine how the interplay between philosophy and art over the past century...
The 20th century was an age of transition. In the field of aesthetics we witness a shift from clearl...
Called “the most important critic of his time” by Hannah Arendt, Walter Benjamin (1892-1940) has bec...
As Walter Benjamin described in his famous essay, "The Work of Art in the Age of Mechanical Rep...
Last time we tried to organize ideas for this article around “The Work of Art in the Age of its Mech...
“Brevity ” epitomizes Walter Benjamin's One-Way Street, an avant-garde text composed entirely o...
In “The Work of Art in the Age of Mechanical Reproduction” (1968), Walter Benjamin proposed that tec...
Much like Walter Benjamin's analysis of the Parisian arcades during the interwar years of the early ...