A two-day symposium convened by myself in collaboration with Gavin Butt which discussed the practice of contemporary art writing at Whitechapel Gallery, London, as part of my role as Writer-in-Residence there. 18-19 June 2009. Day one (Who is this who is coming?) was organised and chaired by myself. My aim was to prospect the shore of M.R. James’ 1904 supernatural short story Oh, Whistle, and I’ll Come to You, My Lad as a suggestive yet speculative proposition on how to approach the production and reception of contemporary art writing, examining where meaning might take place and reasoning backwards. Day two (Performing/Knowing), organised and chaired by Gavin Butt, Department of Visual Cultures, Goldsmiths, University of London, high...
Performance work is increasingly in dialogue with contemporary visual art; artists frequently utilis...
This one-day symposium, curated and introduced by Rebecca Fortnum, looked at the role of 'not knowin...
In the light of recent debates addressing the so-called crisis of criticality and criticism, this ev...
This book observes inscription as method through a range of critical and creative presentations. My ...
The first in a two-day series of events exploring the possibilities of contemporary arts writing. ...
The traditional forms of art writing we perhaps most readily think of - like the received and establ...
Whitechapel Art Gallery, London Chisenhale Art Gallery, London (on artist's statements) Royal Coll...
A symposium that followed The Common Guild’s productions of 'At Twilight' by artist Simon Starling i...
A symposium to launch the research publication, "PLOT" Organised by Simon Read and Nicky Coutts intr...
In place of a traditional keynote address, this task was shared amongst a varied group of practition...
Over the last decade, the term 'lecture-performance' has come to circulate widely in contemporary ar...
Participating artist in year long Arts Council funded research project lead by Phyllida Barlow to es...
Transmission lecture series, "Who is an artist?", convened by Fine Art, Sheffield Hallam University,...
Adventures Close to Home: the British art scene from “then” to “now” is an introductory essay to the...
'Translated Acts' was a series of two-day events exploring art practices migrating across forms and ...
Performance work is increasingly in dialogue with contemporary visual art; artists frequently utilis...
This one-day symposium, curated and introduced by Rebecca Fortnum, looked at the role of 'not knowin...
In the light of recent debates addressing the so-called crisis of criticality and criticism, this ev...
This book observes inscription as method through a range of critical and creative presentations. My ...
The first in a two-day series of events exploring the possibilities of contemporary arts writing. ...
The traditional forms of art writing we perhaps most readily think of - like the received and establ...
Whitechapel Art Gallery, London Chisenhale Art Gallery, London (on artist's statements) Royal Coll...
A symposium that followed The Common Guild’s productions of 'At Twilight' by artist Simon Starling i...
A symposium to launch the research publication, "PLOT" Organised by Simon Read and Nicky Coutts intr...
In place of a traditional keynote address, this task was shared amongst a varied group of practition...
Over the last decade, the term 'lecture-performance' has come to circulate widely in contemporary ar...
Participating artist in year long Arts Council funded research project lead by Phyllida Barlow to es...
Transmission lecture series, "Who is an artist?", convened by Fine Art, Sheffield Hallam University,...
Adventures Close to Home: the British art scene from “then” to “now” is an introductory essay to the...
'Translated Acts' was a series of two-day events exploring art practices migrating across forms and ...
Performance work is increasingly in dialogue with contemporary visual art; artists frequently utilis...
This one-day symposium, curated and introduced by Rebecca Fortnum, looked at the role of 'not knowin...
In the light of recent debates addressing the so-called crisis of criticality and criticism, this ev...