It has recently become apparent that criticism has fallen on hardtimes. Either commodification is deemed to have killed it off, orit has become institutionally routine. This book explorescontemporary approaches which have sought to renew criticism′senergies in the wake of a ′theatrical turn′ in recent visual artspractice, and the emergence of a ′performative′ arts writing overthe past decade or so. Issues addressed include the ′performing′ of art′s histories;the consequences for criticism of embracing boredom, distractionand other ′queer′ forms of (in)attention; and the importance ofexploring writerly process in responding to aesthetic experience.Bringing together newly commissioned work from the fields of arthistory, performance studies...
No abstract availableThis article was originally published by Parallel Press, an imprint of the Univ...
For a few years now, exhibitions and publications devoted exclusively to painting have been multiply...
No abstract availableThis article was originally published by Parallel Press, an imprint of the Univ...
It has recently become apparent that criticism has fallen on hard times. Either commodification is d...
"Bringing together newly commissioned work from the fields of art history, performance studies, and ...
"Bringing together newly commissioned work from the fields of art history, performance studies, and ...
After Criticism, New Responses to Art and performance, explores contemporary and innovative approach...
Critique has long been a central concept within art practice and theory. Since the emergence of Conc...
If, as Walter Benjamin claimed, “it is the function of artistic form … to make historical content in...
The texts presented in this special issue of the JSTA have two ambitions. On the one hand, they try ...
‘Institutional critique’ is best known through the critical practice that developed in the late ...
In the light of recent debates addressing the so-called crisis of criticality and criticism, this ev...
Art criticism has been largely marginalized in the arts and today mostly fulfills a service function...
Art criticism has been largely marginalized in the arts and today mostly fulfills a service function...
After initially framing the contemporary crisis of art criticism in neo-Adornian terms, the article ...
No abstract availableThis article was originally published by Parallel Press, an imprint of the Univ...
For a few years now, exhibitions and publications devoted exclusively to painting have been multiply...
No abstract availableThis article was originally published by Parallel Press, an imprint of the Univ...
It has recently become apparent that criticism has fallen on hard times. Either commodification is d...
"Bringing together newly commissioned work from the fields of art history, performance studies, and ...
"Bringing together newly commissioned work from the fields of art history, performance studies, and ...
After Criticism, New Responses to Art and performance, explores contemporary and innovative approach...
Critique has long been a central concept within art practice and theory. Since the emergence of Conc...
If, as Walter Benjamin claimed, “it is the function of artistic form … to make historical content in...
The texts presented in this special issue of the JSTA have two ambitions. On the one hand, they try ...
‘Institutional critique’ is best known through the critical practice that developed in the late ...
In the light of recent debates addressing the so-called crisis of criticality and criticism, this ev...
Art criticism has been largely marginalized in the arts and today mostly fulfills a service function...
Art criticism has been largely marginalized in the arts and today mostly fulfills a service function...
After initially framing the contemporary crisis of art criticism in neo-Adornian terms, the article ...
No abstract availableThis article was originally published by Parallel Press, an imprint of the Univ...
For a few years now, exhibitions and publications devoted exclusively to painting have been multiply...
No abstract availableThis article was originally published by Parallel Press, an imprint of the Univ...