An improvised response to questions about the difference between what I do and how I talk about what I do. Not knowing what comes next nor why that is what comes next; the torture of being stuck and the pleasure of being tortured. The importance of experiencing and first-person narratives, but the awareness of that personal stories are always changing
Experimental Encounters in Music and Beyond opens a necessary dialogue on experimental practices in ...
The idea of improvisation, broadly defined, has been integral to our imagination of the medieval mus...
Thank you to everybody who made contributions to this bumper 2021 Special Issue on Improvisation. Ma...
An improvised response to questions about the difference between what I do and how I talk about what...
This presentation begins as a lecture about improvisation as performance and gradually develops into...
As one of the first readers of this fine collection of chapters in improvisation studies, I’ve been ...
The improvising comedian’s training ends the moment they step on stage. Improvisation training help...
This workshop explores the development of a dramaturgical consciousness within improvisation practic...
A performance lecture by Prof V L Midgelow (Middlesex University, UK) What am I? she asks. In...
As one of the first readers of this fine collection of chapters in improvisation studies, I’ve been ...
The improviser\u27s number one job is to live an interesting life, then share it. As students study ...
This paper pursues two main aims. First, it distinguishes two kinds of improvisation: expert and ine...
This paper pursues two main aims. First, it distinguishes two kinds of improvisation: expert and ine...
This thesis discusses the interconnection of 'performance' and 'improvisation', which, despite its ...
The idea of improvisation, broadly defined, has been integral to our imagination of the medieval mus...
Experimental Encounters in Music and Beyond opens a necessary dialogue on experimental practices in ...
The idea of improvisation, broadly defined, has been integral to our imagination of the medieval mus...
Thank you to everybody who made contributions to this bumper 2021 Special Issue on Improvisation. Ma...
An improvised response to questions about the difference between what I do and how I talk about what...
This presentation begins as a lecture about improvisation as performance and gradually develops into...
As one of the first readers of this fine collection of chapters in improvisation studies, I’ve been ...
The improvising comedian’s training ends the moment they step on stage. Improvisation training help...
This workshop explores the development of a dramaturgical consciousness within improvisation practic...
A performance lecture by Prof V L Midgelow (Middlesex University, UK) What am I? she asks. In...
As one of the first readers of this fine collection of chapters in improvisation studies, I’ve been ...
The improviser\u27s number one job is to live an interesting life, then share it. As students study ...
This paper pursues two main aims. First, it distinguishes two kinds of improvisation: expert and ine...
This paper pursues two main aims. First, it distinguishes two kinds of improvisation: expert and ine...
This thesis discusses the interconnection of 'performance' and 'improvisation', which, despite its ...
The idea of improvisation, broadly defined, has been integral to our imagination of the medieval mus...
Experimental Encounters in Music and Beyond opens a necessary dialogue on experimental practices in ...
The idea of improvisation, broadly defined, has been integral to our imagination of the medieval mus...
Thank you to everybody who made contributions to this bumper 2021 Special Issue on Improvisation. Ma...