Add to ORKGThe present thesis reveals how semiotic representation is fundamentally different from Aristotelian imitation and how it is an integral part of postdramatic theatre, a term developed by Hans-Thies Lehmann. The investigation into the phenomenon of representation is done through an analysis of two plays by Sarah Kane, Blasted and Phaedra s Love, and reveals how the study of semiotic representation reveals the inner workings and structure of these plays. In conclusion, this thesis reveals how these plays iterate the possibility of experiencing the world through art and that the postdramatic theatre is particularly well suited to confer such experiences upon its audience
Sarah Kane uses cruelty in her plays Blasted and Cleansed to shock the audience out of their indiffe...
Categories such as play, theater and performance, have been included and thoroughly discussed in the...
Deconstructing, refocusing and reframing the postdramatic experience is an investigation of connecti...
This thesis explores the relationship between the postdramatic genre and representations of reality....
The evolution of Sarah Kane’s work has frequently been considered as Janus-faced. The first plays ar...
British playwright Sarah Kane had a short career, ending with her suicide in 1999. Critics often att...
[À l'origine dans / Was originally part of : Thèses et mémoires - FAS - Département de littérature c...
This article analyses the chief characteristics of Sarah Kane's dramaturgy in both its textualand sc...
Sarah Kane’s Blasted, published in 1995, starts as a conventional familiar piece but progresses to d...
This contribution begins by analysing the British critical reception of Hans-Thies Lehmann's Postdra...
Contemporary experiences highlight a crisis in representation which reveals itself through profound ...
This thesis argues that Sarah Kane’s “Phaedra’s Love” is designed to open a discussion on the strugg...
Abstract Drama has staged, presented, represented, and performed different concepts of subjectivity,...
This dissertation situates Sarah Kane's dramatic work beyond its In-Yer-Face debut productions (U.K....
Sarah Kane’s body of work remains vital in its appeal for fairness, as she discloses human predicame...
Sarah Kane uses cruelty in her plays Blasted and Cleansed to shock the audience out of their indiffe...
Categories such as play, theater and performance, have been included and thoroughly discussed in the...
Deconstructing, refocusing and reframing the postdramatic experience is an investigation of connecti...
This thesis explores the relationship between the postdramatic genre and representations of reality....
The evolution of Sarah Kane’s work has frequently been considered as Janus-faced. The first plays ar...
British playwright Sarah Kane had a short career, ending with her suicide in 1999. Critics often att...
[À l'origine dans / Was originally part of : Thèses et mémoires - FAS - Département de littérature c...
This article analyses the chief characteristics of Sarah Kane's dramaturgy in both its textualand sc...
Sarah Kane’s Blasted, published in 1995, starts as a conventional familiar piece but progresses to d...
This contribution begins by analysing the British critical reception of Hans-Thies Lehmann's Postdra...
Contemporary experiences highlight a crisis in representation which reveals itself through profound ...
This thesis argues that Sarah Kane’s “Phaedra’s Love” is designed to open a discussion on the strugg...
Abstract Drama has staged, presented, represented, and performed different concepts of subjectivity,...
This dissertation situates Sarah Kane's dramatic work beyond its In-Yer-Face debut productions (U.K....
Sarah Kane’s body of work remains vital in its appeal for fairness, as she discloses human predicame...
Sarah Kane uses cruelty in her plays Blasted and Cleansed to shock the audience out of their indiffe...
Categories such as play, theater and performance, have been included and thoroughly discussed in the...
Deconstructing, refocusing and reframing the postdramatic experience is an investigation of connecti...