Setting for Success John Gay s ballad opera, The Beggar s Opera was staged in London in 1728 and had a run of sixty two performances. It was recognised as being a sharp satire of the then Prime Minister, Sir Robert Walpole, and his Whig regime. The thesis places the opera in it s geographical and historical setting. The success of The Beggar s Opera is explained by its relevance to the theatre-goer who recognised the sordid London life portrayed in short dialogue and songs sung to well-known folk melodies, some in existence today. John Gay s motivation for writing the piece is examined in its context, and the play is analysed to tell the story and bring out the satirical element. This is also included in a description of London, both as a...
This dissertation explores the ways in which Handel’s late operas intersect with other forms of thea...
This chapter seeks to take the characters and situations of Gay\u27s The Beggar\u27s Opera and consi...
"Love in a Village" (1762), the most popular English comic opera of the eighteenth century, is now t...
The Beggar’s Opera, often referred to today as the first musical comedy, was the most popular dramat...
International audienceWhile the levelling of elite and popular cultural forms has long been recognis...
Ballad opera transformed London's theatre by making English song, for the first time, the key to com...
Includes bibliographical references.Includes illustrations.The purpose of this thesis is to arrive a...
Ballad opera, fathered by John Gay 1728 and propelled forward by Henry Fielding until 1736, capitali...
Restricted until 2 Aug. 2009.This study examines the ballad operas of Henry Fielding (1707-1754), kn...
My dissertation connects music, politics, and society by focusing on the cultural life of the Théâtr...
John Gay’s The Beggar’s Opera has influenced popular culture since its debut. Its 1729 sequel, Polly...
The English comic opera, which dominated the London theaters during the last forty years of the eigh...
Both the design and the detail of John Gay’s play The Beggar’s Opera (1728) serve to situate it soli...
This chapter outlines the signficance of ballad opera in the career of John Rich, the founder of Cov...
The Dragon of Wantley (1737) is an English opera written by John Frederick Lampe on a libretto by He...
This dissertation explores the ways in which Handel’s late operas intersect with other forms of thea...
This chapter seeks to take the characters and situations of Gay\u27s The Beggar\u27s Opera and consi...
"Love in a Village" (1762), the most popular English comic opera of the eighteenth century, is now t...
The Beggar’s Opera, often referred to today as the first musical comedy, was the most popular dramat...
International audienceWhile the levelling of elite and popular cultural forms has long been recognis...
Ballad opera transformed London's theatre by making English song, for the first time, the key to com...
Includes bibliographical references.Includes illustrations.The purpose of this thesis is to arrive a...
Ballad opera, fathered by John Gay 1728 and propelled forward by Henry Fielding until 1736, capitali...
Restricted until 2 Aug. 2009.This study examines the ballad operas of Henry Fielding (1707-1754), kn...
My dissertation connects music, politics, and society by focusing on the cultural life of the Théâtr...
John Gay’s The Beggar’s Opera has influenced popular culture since its debut. Its 1729 sequel, Polly...
The English comic opera, which dominated the London theaters during the last forty years of the eigh...
Both the design and the detail of John Gay’s play The Beggar’s Opera (1728) serve to situate it soli...
This chapter outlines the signficance of ballad opera in the career of John Rich, the founder of Cov...
The Dragon of Wantley (1737) is an English opera written by John Frederick Lampe on a libretto by He...
This dissertation explores the ways in which Handel’s late operas intersect with other forms of thea...
This chapter seeks to take the characters and situations of Gay\u27s The Beggar\u27s Opera and consi...
"Love in a Village" (1762), the most popular English comic opera of the eighteenth century, is now t...