Recent events in the French media have shed light on the extensive protectionism that exists in the French Film Industry. An analysis is presented to attempt to explain the protectionist policies of the government. Three theoretical perspectives are presented. The first explains the protectionism based on neo-classical economics, and the theory of comparative advantage. France benefits from those comparative advantages such as the language and the culture, elements that cannot easily be reproduced abroad. This theory, while being valid, has only weak empirical support. The second theory bases itself on neo-protectionist theories, where the power of the state is reflected in its culture. The purpose of the state is dual. On the one hand,...
This paper explores a much-neglected aspect of cultural policies: the role of the institutions in ch...
Dossier dirigé par Isabelle VANDERSCHELDENInternational audienceThe French system of film funding al...
Dossier dirigé par Isabelle VANDERSCHELDENInternational audienceThe French system of film funding al...
France follows a protectionist policy towards films and TV. For many French film makers, the help co...
Cinema is the most influential cultural instrument in the contemporary world. The seventh art first ...
International audienceThe history of cultural policies in France is marked by the central role the s...
International audienceThe history of cultural policies in France is marked by the central role the s...
International audienceThe history of cultural policies in France is marked by the central role the s...
A government can adopt two different stances regarding its domestic film industry. It may choose to ...
A government can adopt two different stances regarding its domestic film industry. It may choose to ...
A government can adopt two different stances regarding its domestic film industry. It may choose to ...
Ouvrage collectif dirigé par Alistair Fox, Michel Marie, Raphaëlle Moine et Hilary Radner, Wiley-Bla...
Ouvrage collectif dirigé par Alistair Fox, Michel Marie, Raphaëlle Moine et Hilary Radner, Wiley-Bla...
This dissertation considers cinema as one of the most profitable cultural industries as well as a hi...
Motion pictures may be the single greatest cultural influence on the collective psyche, along with t...
This paper explores a much-neglected aspect of cultural policies: the role of the institutions in ch...
Dossier dirigé par Isabelle VANDERSCHELDENInternational audienceThe French system of film funding al...
Dossier dirigé par Isabelle VANDERSCHELDENInternational audienceThe French system of film funding al...
France follows a protectionist policy towards films and TV. For many French film makers, the help co...
Cinema is the most influential cultural instrument in the contemporary world. The seventh art first ...
International audienceThe history of cultural policies in France is marked by the central role the s...
International audienceThe history of cultural policies in France is marked by the central role the s...
International audienceThe history of cultural policies in France is marked by the central role the s...
A government can adopt two different stances regarding its domestic film industry. It may choose to ...
A government can adopt two different stances regarding its domestic film industry. It may choose to ...
A government can adopt two different stances regarding its domestic film industry. It may choose to ...
Ouvrage collectif dirigé par Alistair Fox, Michel Marie, Raphaëlle Moine et Hilary Radner, Wiley-Bla...
Ouvrage collectif dirigé par Alistair Fox, Michel Marie, Raphaëlle Moine et Hilary Radner, Wiley-Bla...
This dissertation considers cinema as one of the most profitable cultural industries as well as a hi...
Motion pictures may be the single greatest cultural influence on the collective psyche, along with t...
This paper explores a much-neglected aspect of cultural policies: the role of the institutions in ch...
Dossier dirigé par Isabelle VANDERSCHELDENInternational audienceThe French system of film funding al...
Dossier dirigé par Isabelle VANDERSCHELDENInternational audienceThe French system of film funding al...