Graffiti and street art have, in some cities, become a draw for the local community and visitors alike. This article explores the applicability of the right to object to derogatory treatment (UK) and the prevention of destruction of works of recognised stature (US) to graffiti. It argues that even where permission has been granted by property owners and these creations constitute original artistic works, it would be difficult for authors to avail themselves of moral rights protection when their works are fully or partially destroyed by building owners. Authors are unlikely to succeed because the destruction is unlikely to be "treatment" and because reputation will be difficult to demonstrate. Similar problems arise with demonstrating reputa...
With graffiti art booming, artists all around the world want their creations protected. Current copy...
In 1990, the Copyright Act was amended to name visual artists, alone among protected authors, posses...
Artists who choose the streets as their canvas—whether to beautify neighborhoods, spark political pr...
Considers whether creators of graffiti or street art may be able to invoke moral rights arguments to...
The relatively recent boom of street art and graffiti in many cities around the world animates and b...
Using as a case study the recent “5Pointz” litigation, a case involving visual artists’ moral-rights...
Artists use any surface available to them as a canvas. There is the common: cloth and paper; the mod...
This paper considers the extent to which federal moral rights law protects authorized graffiti and a...
This paper considers the extent to which federal moral rights law protects authorized graffiti and a...
This article aims at analyzing to what extent UK copyright law is capable of regulating various form...
Graffiti has transformed over the last several decades from a sign of urban blight to a sign of arti...
This paper considers the regulation of ideological vandalism by the Australian copyright and moral r...
This short note examines whether street and graffiti art can and should be protected by copyright. I...
This essay proceeds in four sections. The journey begins with the site’s story. The first three se...
Consider the following: Building Owner commissions Artist to paint a mural on the wall of his buildi...
With graffiti art booming, artists all around the world want their creations protected. Current copy...
In 1990, the Copyright Act was amended to name visual artists, alone among protected authors, posses...
Artists who choose the streets as their canvas—whether to beautify neighborhoods, spark political pr...
Considers whether creators of graffiti or street art may be able to invoke moral rights arguments to...
The relatively recent boom of street art and graffiti in many cities around the world animates and b...
Using as a case study the recent “5Pointz” litigation, a case involving visual artists’ moral-rights...
Artists use any surface available to them as a canvas. There is the common: cloth and paper; the mod...
This paper considers the extent to which federal moral rights law protects authorized graffiti and a...
This paper considers the extent to which federal moral rights law protects authorized graffiti and a...
This article aims at analyzing to what extent UK copyright law is capable of regulating various form...
Graffiti has transformed over the last several decades from a sign of urban blight to a sign of arti...
This paper considers the regulation of ideological vandalism by the Australian copyright and moral r...
This short note examines whether street and graffiti art can and should be protected by copyright. I...
This essay proceeds in four sections. The journey begins with the site’s story. The first three se...
Consider the following: Building Owner commissions Artist to paint a mural on the wall of his buildi...
With graffiti art booming, artists all around the world want their creations protected. Current copy...
In 1990, the Copyright Act was amended to name visual artists, alone among protected authors, posses...
Artists who choose the streets as their canvas—whether to beautify neighborhoods, spark political pr...