This study investigates the vinyl revival, with particular focus given to the listener’s perception of audio quality. A new album was produced using known source material. Subjects then participated in a series of double-blind listening tests, comparing vinyl to established digital formats. Subsequent usability tests required subjects not only to re-appraise the audio, but also to interact with the physical media and playback equipment. Digital vinyl systems were used in order to investigate the influence of non-auditory factors on their perception of sound quality. Both qualitative and quantitative data was also gathered from subjects of the usability tests, with the correlation (or contradiction) between the results being analysed. The ...
The aim of the book is threefold: first, to detail the vinyl record’s history; second, to tell the s...
In music production, “monitoring” refers traditionally to audile strategies intended to reveal the “...
The music we hear played back via computer controlled media is generated by one of two technologies:...
While advanced digital music systems such as compact disk players and MP3 have become the standard i...
Based on the studies of Milner (2009), Katz (2004) and Wikstrom (2009), the article explores in deta...
While advanced digital music systems such as compact disk players and MP3 have become the standard ...
The quality of recorded music is often highly disputed. To gain insight into the dimensions of qual...
Having been deemed to be obsolete nearly 30 years ago and faced with near extinction, vinyl records ...
In this digital age many listeners of music now purchase albums from online digital music stores ins...
For more than fifty years, the recorded music industry has owed its existence to the development of ...
When listening to music, rating the overall listening experience takes many different aspects into a...
peer-reviewedDespite critical writing from music industry experts decrying the over use of compress...
The traditional paradigm for the assessment of audio quality is that of a listener positioned in the...
The file attached to this record is the author's final peer reviewed version.Despite having been dee...
Listeners have long been inspired to interact with music and create new representations of popular r...
The aim of the book is threefold: first, to detail the vinyl record’s history; second, to tell the s...
In music production, “monitoring” refers traditionally to audile strategies intended to reveal the “...
The music we hear played back via computer controlled media is generated by one of two technologies:...
While advanced digital music systems such as compact disk players and MP3 have become the standard i...
Based on the studies of Milner (2009), Katz (2004) and Wikstrom (2009), the article explores in deta...
While advanced digital music systems such as compact disk players and MP3 have become the standard ...
The quality of recorded music is often highly disputed. To gain insight into the dimensions of qual...
Having been deemed to be obsolete nearly 30 years ago and faced with near extinction, vinyl records ...
In this digital age many listeners of music now purchase albums from online digital music stores ins...
For more than fifty years, the recorded music industry has owed its existence to the development of ...
When listening to music, rating the overall listening experience takes many different aspects into a...
peer-reviewedDespite critical writing from music industry experts decrying the over use of compress...
The traditional paradigm for the assessment of audio quality is that of a listener positioned in the...
The file attached to this record is the author's final peer reviewed version.Despite having been dee...
Listeners have long been inspired to interact with music and create new representations of popular r...
The aim of the book is threefold: first, to detail the vinyl record’s history; second, to tell the s...
In music production, “monitoring” refers traditionally to audile strategies intended to reveal the “...
The music we hear played back via computer controlled media is generated by one of two technologies:...