Hearing behaviour: social interaction as a means of creating emergent situations in/as/through music

This body of writing serves as accompaniment to a portfolio of musical compositions and visual media composed between September 2013 and August 2014. The work is in three parts. Part one sets the context of the compositions with reference to numerous other artists, explaining the political need for compositions of this kind and how these relate to the topic of emergence in relation to group performance and social enrichment. This part also makes reference to the philosophical influence behind the works and how these ideas might be relevant to wider society. Part two offers a commentary on the works themselves, explaining the thinking that brought them about, and a narrative of the development from one composition to the next. Part three offers a reflection of how well these works relate to the originally stated political agenda, as well as outlining my plans for future artistic direction