It is an axiom of historical linguistics, and indeed historical studies generally, that our present-day assumptions are not a reliable basis for the analysis and interpretation of language data from earlier periods. Assumptions, not just about language but any kind of human experience, help people make sense of the world in a cognitively efficient way. But those very assumptions interact with the phenomena to which they pertain, and together they change over time. Present-day assumptions form the endpoint of diachronic change. The first task for the historian is to describe earlier states of the language and its contexts, including the likely assumptions of contemporaries, and begin to understand why it is as it is. The second task is to ex...
In recent years the study of Renaissance theatre has become an ideological battleground. After so m...
Analyzing almanacs, how-to manuals, and receipt books and drama, “Reading the Natural and Preternatu...
Alongside the irregular ‘stage history’, early English plays also had a ‘vernacular afterlife’, comp...
The production of playtexts in early modern England falls between two categories of artistic provena...
Abstract In this article I discuss the issues and challenges of compiling a corpus of historical pla...
Using the typographical arrangements of the dramatic page as a rich site of inquiry, this dissertati...
The subtitle of our meeting, 'From Stage to Print in Early Modern England, posits a movement in one...
The current Arden edition of Hamlet offers three fully-edited and modernized texts, based on the 'ba...
The Arts: 3rd Place (The Ohio State University Edward F. Hayes Graduate Research Forum)Shakespeare's...
PhD thesis in Reading researchThis thesis aims at providing a multidisciplinary in-depth analysis of...
In three influential essays of the 1980s, William B. Long challenged the standard New Bibliographica...
Many questions remain regarding the actual origins of English Quack Doctor plays now that pre-Shakes...
This dissertation argues that early modern playwrights used metadrama to construct the experience an...
This article provides an overview of the history of play from ancient times to the present. First a...
This book is open access and available on www.bloomsburycollections.com. It is funded by Knowledge U...
In recent years the study of Renaissance theatre has become an ideological battleground. After so m...
Analyzing almanacs, how-to manuals, and receipt books and drama, “Reading the Natural and Preternatu...
Alongside the irregular ‘stage history’, early English plays also had a ‘vernacular afterlife’, comp...
The production of playtexts in early modern England falls between two categories of artistic provena...
Abstract In this article I discuss the issues and challenges of compiling a corpus of historical pla...
Using the typographical arrangements of the dramatic page as a rich site of inquiry, this dissertati...
The subtitle of our meeting, 'From Stage to Print in Early Modern England, posits a movement in one...
The current Arden edition of Hamlet offers three fully-edited and modernized texts, based on the 'ba...
The Arts: 3rd Place (The Ohio State University Edward F. Hayes Graduate Research Forum)Shakespeare's...
PhD thesis in Reading researchThis thesis aims at providing a multidisciplinary in-depth analysis of...
In three influential essays of the 1980s, William B. Long challenged the standard New Bibliographica...
Many questions remain regarding the actual origins of English Quack Doctor plays now that pre-Shakes...
This dissertation argues that early modern playwrights used metadrama to construct the experience an...
This article provides an overview of the history of play from ancient times to the present. First a...
This book is open access and available on www.bloomsburycollections.com. It is funded by Knowledge U...
In recent years the study of Renaissance theatre has become an ideological battleground. After so m...
Analyzing almanacs, how-to manuals, and receipt books and drama, “Reading the Natural and Preternatu...
Alongside the irregular ‘stage history’, early English plays also had a ‘vernacular afterlife’, comp...