This chapter explores the range of consciousness occurring within the everyday music experiences of a small sample of UK listeners, particularly those experiences lying between the extremes of intense, emotional involvement, and apparent inattention when music, though present, seems to be barely perceived. Specifically, it draws on the constructs of trance, absorption, and dissociation as explicatory frames that throw into relief the self-regulating character — in psychological terms — of much everyday listening. By concentrating on the detailed nature of music listening episodes as lived experiences it becomes possible to offer a phenomenology of everyday listening, thus ‘reclaiming’ it for comparison with the literature on strong experien...
Dissociative experiences involving music have received little research attention outside the field o...
A small but significant body of recent research has successfully crossed the boundaries between ethn...
I argue for an enactive account of musical experience — that is, the experience of listeni...
In what ways does listening to music shape everyday perception? Is music particularly effective in p...
Taking consciousness, rather than mood and motion as its starting point, this paper promotes an incl...
Empirical studies of music listening in everyday life frequently frame individuals' experience of mu...
Aesthetic objects (including music) do not constitute complete sensory virtual worlds. Neither is an...
Intense listening to music is often linked with profound changes in mental states, including absorpt...
In what ways may individual differences in personality, age and training shape subjective experience...
Technologically mediated solitary listening now constitutes the prevalent mode of musical engagement...
The construct of absorption (effortless engagement) has been the subject of a small number of discip...
Streaming platforms, video-sharing platforms and mobile technologies are a ubiquitous part of everyd...
To what extent do subjective experiences of sound art and mundane, informal experiences of music in ...
Background: Due to cultural and biological aspects, individuals experience music’s effect on conscio...
Over the last decade there has been growing psychological interest in studying everyday experiences ...
Dissociative experiences involving music have received little research attention outside the field o...
A small but significant body of recent research has successfully crossed the boundaries between ethn...
I argue for an enactive account of musical experience — that is, the experience of listeni...
In what ways does listening to music shape everyday perception? Is music particularly effective in p...
Taking consciousness, rather than mood and motion as its starting point, this paper promotes an incl...
Empirical studies of music listening in everyday life frequently frame individuals' experience of mu...
Aesthetic objects (including music) do not constitute complete sensory virtual worlds. Neither is an...
Intense listening to music is often linked with profound changes in mental states, including absorpt...
In what ways may individual differences in personality, age and training shape subjective experience...
Technologically mediated solitary listening now constitutes the prevalent mode of musical engagement...
The construct of absorption (effortless engagement) has been the subject of a small number of discip...
Streaming platforms, video-sharing platforms and mobile technologies are a ubiquitous part of everyd...
To what extent do subjective experiences of sound art and mundane, informal experiences of music in ...
Background: Due to cultural and biological aspects, individuals experience music’s effect on conscio...
Over the last decade there has been growing psychological interest in studying everyday experiences ...
Dissociative experiences involving music have received little research attention outside the field o...
A small but significant body of recent research has successfully crossed the boundaries between ethn...
I argue for an enactive account of musical experience — that is, the experience of listeni...