Add to ORKGControversy over visual imagery of trauma and disaster has never been greater. "The Image and the Witness: Trauma, Memory and Visual Culture" is thus a timely interdisciplinary collection of new essays about the ethical stakes of the image in our visually-saturated age. This book explores the interrelated issues of the role of the material image in bearing witness to historical events and the visual representation of witnesses to collective trauma. In arguing for the agency of the image, this unique collection engages in important debates over post-traumatic memory, documentary ethics, embodied vision and the recycling of images. The book discusses works by Chris Marker, Errol Morris, Derek Jarman, Doris Salcedo, Gerhard Richter and Boris M...
In increasingly mediatized cultures it is essential that criminologists develop more sophisticated u...
The book explores the concept of artistic witnessing as political activity. In which ways may art an...
Freud describes as traumatic any excitations from outside which are powerful enough to break through...
GUERIN Frances, HALLAS Roger The image and the witness : trauma, memory and visual culture New York ...
During the past one hundred years or so the depiction of traumatic historical events and experiences...
The third issue of the Journal for the Philosophy of Language, Mind and the Arts is centered on a se...
This practice-based dissertation thinks through a major dilemma within the world of curatorial pract...
Bonniers Konsthall inaugurates September 19th The Image of War, an exhibition that looks at the trip...
If we believe that traumatic memory and experience can be translated into language, then that proces...
For a long time, scholars in the Humanities have been trying to move towards a boundary space that t...
The images of atrocity, either analog or digital, are always the trace of an encounter between the g...
This is an introduction for a collection of essays that explores ways in which visual cultures have ...
By taking 9/11 as a starting point, this thesis examines the spectatorship of invisible atrocity ima...
In the wake of a resurgence of Holocaust scholarship in North America in the 1980s, a growing intere...
Rebecca Randall’s hybrid term “Ideoscape” refers to series of images relating to ideologies and anti...
In increasingly mediatized cultures it is essential that criminologists develop more sophisticated u...
The book explores the concept of artistic witnessing as political activity. In which ways may art an...
Freud describes as traumatic any excitations from outside which are powerful enough to break through...
GUERIN Frances, HALLAS Roger The image and the witness : trauma, memory and visual culture New York ...
During the past one hundred years or so the depiction of traumatic historical events and experiences...
The third issue of the Journal for the Philosophy of Language, Mind and the Arts is centered on a se...
This practice-based dissertation thinks through a major dilemma within the world of curatorial pract...
Bonniers Konsthall inaugurates September 19th The Image of War, an exhibition that looks at the trip...
If we believe that traumatic memory and experience can be translated into language, then that proces...
For a long time, scholars in the Humanities have been trying to move towards a boundary space that t...
The images of atrocity, either analog or digital, are always the trace of an encounter between the g...
This is an introduction for a collection of essays that explores ways in which visual cultures have ...
By taking 9/11 as a starting point, this thesis examines the spectatorship of invisible atrocity ima...
In the wake of a resurgence of Holocaust scholarship in North America in the 1980s, a growing intere...
Rebecca Randall’s hybrid term “Ideoscape” refers to series of images relating to ideologies and anti...
In increasingly mediatized cultures it is essential that criminologists develop more sophisticated u...
The book explores the concept of artistic witnessing as political activity. In which ways may art an...
Freud describes as traumatic any excitations from outside which are powerful enough to break through...