Eighteenth-century women writers repeatedly expressed resistance to the public exposure of print publication. The first publication of the bluestocking intellectual Elizabeth Montagu, three satirical dialogues included in George Lyttelton's Dialogues of the Dead (1760), exemplifies this problem. Montagu used a variety of techniques to distance herself from the stigma of print: sociable composition, coterie criticism, disavowal of authorship, and anonymous publication. In her correspondence, Montagu explored an important but overlooked account of "the author in form," a concept developed by Shaftesbury in his Characteristicks (1714) to reconcile the aristocratic practice of scribal publication to commercial print publicatio
In the mid-eighteenth century, women writers participated in dynamic and innovative criticism about ...
Exploring the careers of five influential women writers of the Restoration and eighteenth century, C...
The modes of authorship adopted by early modern women writers present multiple challenges to editors...
This thesis and accompanying digital edition ‘Reading and Sociability in the Correspondence of Eliza...
Writing from the end of the seventeenth century through the mid-eighteenth century in England, the f...
textIn this dissertation, I examine antagonistic relationships between women writers in the first ha...
This project explores how 17th-century English women writers used dedicatory epistles. The three ca...
The dominant model of female authorship from 1690 to 1740 is London-centred, professional and fictio...
This essay examines the rich and hitherto unexplored rivalries and connections between the Romantic ...
Mary Elizabeth Braddon’s long career coincided with a shift in writing practices, as the Victorian l...
The purposes of this thesis are to determine why and how a few late medieval Englishwomen managed to...
This essay examines the rich and hitherto unexplored rivalries and connections between the Romantic ...
This essay examines the rich and hitherto unexplored rivalries and connections between the Romantic ...
Women of Letters, Manuscript Circulation and Print Afterlives in the Eighteenth Century: Elizabeth R...
This M.A. thesis investigates satire written by British women writers in the Restoration and the eig...
In the mid-eighteenth century, women writers participated in dynamic and innovative criticism about ...
Exploring the careers of five influential women writers of the Restoration and eighteenth century, C...
The modes of authorship adopted by early modern women writers present multiple challenges to editors...
This thesis and accompanying digital edition ‘Reading and Sociability in the Correspondence of Eliza...
Writing from the end of the seventeenth century through the mid-eighteenth century in England, the f...
textIn this dissertation, I examine antagonistic relationships between women writers in the first ha...
This project explores how 17th-century English women writers used dedicatory epistles. The three ca...
The dominant model of female authorship from 1690 to 1740 is London-centred, professional and fictio...
This essay examines the rich and hitherto unexplored rivalries and connections between the Romantic ...
Mary Elizabeth Braddon’s long career coincided with a shift in writing practices, as the Victorian l...
The purposes of this thesis are to determine why and how a few late medieval Englishwomen managed to...
This essay examines the rich and hitherto unexplored rivalries and connections between the Romantic ...
This essay examines the rich and hitherto unexplored rivalries and connections between the Romantic ...
Women of Letters, Manuscript Circulation and Print Afterlives in the Eighteenth Century: Elizabeth R...
This M.A. thesis investigates satire written by British women writers in the Restoration and the eig...
In the mid-eighteenth century, women writers participated in dynamic and innovative criticism about ...
Exploring the careers of five influential women writers of the Restoration and eighteenth century, C...
The modes of authorship adopted by early modern women writers present multiple challenges to editors...