Edinburgh University Press allows authors to retain the right to post the definitive version of the contribution, as published by EUP, in the Institutional Repository or in a disciplinary repository one year following publication in print. This article was originally published in ROMANTICISM [VOL 14, ISSUE 2, (2008)] and is available at
John Tallis’s London Street Views (1838–1840) offers a striking and a distinctive account of the ear...
This article argues for the importance of a spatial approach in uncovering and examining the substan...
LA+ is an award-winning biannual journal produced by the University of Pennsylvania Weitzman School ...
Edinburgh University Press allows authors to retain the right to post the definitive version of the ...
This thesis investigates the dynamics of spectatorship in the panorama, a three-hundred-and-sixty-d...
The panorama is usually identified as the culmination, for the late eighteenth- and early nineteenth...
The International Exhibition of Industry, Science and Art held in Edinburgh in 1886 was the first u...
In the early 19th century, the city of London was a spreading city, with some relevant new buildings...
In the early 19th century, the city of London was a spreading city, with some relevant new buildings...
In my thesis, I examine the intersection of literature and panorama exhibitions. While panoramas hav...
This essay reviews two recent publications—Denise Blake Oleksijczuk’s The First Panoramas and Erkki ...
The season of the Waterloo panoramas began in March 1816, about nine months after the battle on 18 J...
PhDThe central research question of this project asks how to account for the relationship between sp...
To turn to 1830s London is to explore a time and place newly obsessed with the eye and with lighting...
The Illustrated London News, launched in May 1842 as the first illustrated newspaper and quickly cop...
John Tallis’s London Street Views (1838–1840) offers a striking and a distinctive account of the ear...
This article argues for the importance of a spatial approach in uncovering and examining the substan...
LA+ is an award-winning biannual journal produced by the University of Pennsylvania Weitzman School ...
Edinburgh University Press allows authors to retain the right to post the definitive version of the ...
This thesis investigates the dynamics of spectatorship in the panorama, a three-hundred-and-sixty-d...
The panorama is usually identified as the culmination, for the late eighteenth- and early nineteenth...
The International Exhibition of Industry, Science and Art held in Edinburgh in 1886 was the first u...
In the early 19th century, the city of London was a spreading city, with some relevant new buildings...
In the early 19th century, the city of London was a spreading city, with some relevant new buildings...
In my thesis, I examine the intersection of literature and panorama exhibitions. While panoramas hav...
This essay reviews two recent publications—Denise Blake Oleksijczuk’s The First Panoramas and Erkki ...
The season of the Waterloo panoramas began in March 1816, about nine months after the battle on 18 J...
PhDThe central research question of this project asks how to account for the relationship between sp...
To turn to 1830s London is to explore a time and place newly obsessed with the eye and with lighting...
The Illustrated London News, launched in May 1842 as the first illustrated newspaper and quickly cop...
John Tallis’s London Street Views (1838–1840) offers a striking and a distinctive account of the ear...
This article argues for the importance of a spatial approach in uncovering and examining the substan...
LA+ is an award-winning biannual journal produced by the University of Pennsylvania Weitzman School ...